书写另类的声音—女性主义叙事学视角下的《占有》阐释

发布时间：2018-05-03 06:06

本文选题：女性叙事学 + 拜厄特　；参考：《重庆大学》2012年硕士论文

【摘要】：英国女作家A. S.拜厄特是当今最负盛名的作家之一，其充满智性的写作通常以知识分子为主人公，大多讲述学术圈所发生的故事。她的创作中几乎涉猎了各种文学体裁，其中充溢的大量典故给读者带来了一定的阅读障碍。但由于她作品内容涉及的范围广泛，人物形态各异，心理状况复杂多变，同时也赋予作品以丰富深刻的内涵，批评界普遍认为她的小说具有思想启蒙意义。 A.S.拜厄特的长篇小说《占有》被认为是英国当代小说的经典之作，也被评论界视为是拜厄特最为成功的作品。该小说通过大量的书信、日记等传统却又独特的叙述手法，解构了西方父权制社会中男权中心的叙事视角和霸权话语，并以文中文形式挖掘出被历史淹没的女性叙事视角和声音，还原自古以来被西方失真的男性眼光所删篡的女性叙事真相。本论文试图从女性主义叙事学视角出发，解读小说中的叙事声音、叙事时间和修辞方式，探讨作者是如何采用迂回巧妙的叙事策略来挑战和颠覆以男性占主导地位的传统文学创作方式并构建起女性叙事权威的，从而更好地明晰拜厄特在这部小说中的创作意旨。本论文总共由六章组成。第一章简要介绍拜厄特的生平和文学成就，小说《占有》的故事梗概，国内外相关研究现状以及本论文研究的目的意义。第二章则对女性主义叙事学的发展历程和理论主张进行简明扼要地说明，因为它是本论文分析研究的理论框架。第三章主要探讨拜厄特是如何采用个人型叙事声音和集体型叙事声音的叙事策略来表达女性内心的声音，从而构建起女性叙事权威的。借助书信和日记等书面载体，作者让维多利亚时代女性各自讲述自己的故事以记录她们本真的声音,复原男权社会中女性经验的真实全景图。同时拜厄特塑造了几个鲜活的女性形象，其中每个人物依次代表维多利亚女性群体发言，，进而汇合成多声部的女性集体型叙事声音以复现鲜为人知的历史本相。第四章探讨拜厄特如何运用显性反复和隐性反复叙事手法来颠覆男权社会话语霸权。小说运用反复叙事让过去与现在循环往复从而解构了传统男性叙事的线性模式。显性反复叙事主要是由小说中频繁出现的意象来呈现，而文本中不同时代女性命运循环表述则可视为隐性反复叙事。第五章主要分析小说从女性角度对神话和童话文学形式的戏仿修辞来揭露男权社会对女性生命力的压制和女性形象的歪曲。对比分析前文本和改编本的差异来重塑性别定型观念。最后一章是对前面章节进行概述的结语部分。
[Abstract]:A. S., British female writer. Byatt is one of the most famous writers nowadays. His intellectual writing usually takes the intellectual as the protagonist and mostly tells the story of the academic circle. She has almost dabbled in all kinds of literary genres in her works, among which a large number of allusions have brought readers some obstacles to reading. However, her works involve a wide range of content, different characters, complex and changeable psychological situation, but also give the works rich and profound connotation, critics generally think that her novel has the significance of ideological enlightenment. A.S. Byatt's novel possessive is regarded as a classic of contemporary English novels and regarded by critics as the most successful one. Through a large number of letters, diaries and other traditional but unique narrative techniques, the novel deconstructs the narrative perspective and hegemonic discourse of the patriarchal center in the western patriarchal society. And excavate the female narrative angle and voice which is submerged by history in the form of Chinese and Chinese, and restore the female narrative truth that has been erased since ancient times by the distorted male vision of the West. This thesis attempts to interpret the narrative sound, narrative time and rhetoric from the perspective of feminist narratology. This paper probes into how the author challenges and subverts the traditional literary creation mode dominated by men and constructs the authority of female narration by means of circuitous and ingenious narrative strategies so as to better understand the intention of Byatt's creation in this novel. This thesis consists of six chapters. The first chapter briefly introduces Byatt's life and literary achievements, the story outline of the novel "possession", the current situation of domestic and foreign research and the significance of the purpose of this thesis. The second chapter gives a brief explanation of the development of feminist narratology and its theoretical propositions, because it is the theoretical framework of this thesis. The third chapter mainly discusses how Byatt adopts the narrative strategy of personal narrative sound and collective narrative sound to express the female inner voice and thus to construct the female narrative authority. With the help of letters and diaries, the author asks Victorian women to tell their own stories to record their true voices and restore the true panorama of women's experiences in patriarchal society. At the same time, Byatt created several vivid female images, in which each character spoke on behalf of the Victorian female group in turn, and then converged into a multi-part female collective narrative voice to reproduce the unknown historical reality. Chapter four discusses how Byatt subverts male-dominated social discourse hegemony by explicit and recessive repeated narrative techniques. The novel uses repeated narration to make the past and present cycle, thus deconstructing the linear pattern of traditional male narration. The dominant repeated narration is mainly presented by the images frequently appearing in the novel, while the female destiny cycle in different times in the text can be regarded as recessive repeated narration. The fifth chapter mainly analyzes the fictional parody rhetoric of mythology and fairy tale literature form from the female angle to expose the suppression of the female vitality and the distortion of the female image in the patriarchal society. Compare and analyze the difference between the former text and the adapted text to reconstruct the gender stereotype. The last chapter is the conclusion of the previous chapter.
【学位授予单位】：重庆大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：I561.074

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