美与丑的对照——《巴黎圣母院》的人物塑造

发布时间：2018-05-04 02:18

  本文选题：丑的 + 对照　； 参考：《小说评论》2013年S1期

【摘要】：正19世纪法国伟大的作家雨果为表现反封建反教会主题,阐明自己对真善美和假恶丑的爱与憎,在小说《巴黎圣母院》中大量地采用了美丑对照原则。美丑对照原则是雨果在《克伦威尔序言》中提出来的,"丑就在美的旁边,畸形靠近着优美,丑怪藏在崇高的背后,美与丑并存,光明与黑暗相共。"美丑对照
[Abstract]:In the 19th century, the great French writer Hugo, in order to express the theme of anti-feudalism and anti-church, to clarify his love and hate for the true, the good and the beautiful and the false, evil and ugly, used the principle of comparison of beauty and ugliness in his novel Notre Dame de Paris. The principle of contrast between beauty and ugliness was put forward by Hugo in Cromwell's preamble. "ugliness is next to beauty, deformity is near beauty, ugliness is hidden behind sublime, beauty and ugliness coexist, and light and darkness coexist." Beauty and ugliness control
【作者单位】： 安阳工学院外国语学院;
【分类号】：I565.074
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本文编号：1841144