“变身”题材的近代小说中所描绘的女性形象

发布时间：2018-06-16 19:45

本文选题：变身愿望 + 家父长制　；参考：《北京第二外国语学院》2014年硕士论文

【摘要】：每个人都有大大小小的变身愿望。我们会以变化的造型来诉说平时难以表达的感情；通过“变身”来发散日常积累的不满和烦恼；我们为了给他人呈现更有魅力、更积极的印象而包装自己，于是美容、整形这些“变身”行业应运而生。近些年来，通过化妆、服饰、发型来扮演不同自己的cosplay已经成为一种社会现象。在很长一段历史中，女性一直受到压制，低于男性的社会地位，因此可以想象女性比男性抱有更多变身的愿望。直到最近也有很多女性因“要有女性味儿”“因为你是母亲”这些来自家庭的不成文的规定、职业生活和家庭生活的两难选择而感到疲惫不堪。为了解决这些矛盾，使女性能够真正作为一个独立的个体，一个新时代的女性来发挥自己各方面的可能性，，我们回首过去，从文学作品中记录下来的女性形象进行分析，也许会找到切入点和答案。因此本文将以太宰治的《渔服记》（1933年）、木下顺二的《夕鹤》（1949年）、川上弘美的《踏蛇》（1996年）为例，通过考察作品中女性在家庭中的地位、与其他家庭成员之间的关系，来探讨其与女性的变身行为有何联系性。出生在封建道德支配下的社会中的个人，即使追求自由也往往遇到挫折，最终还是被困在“家”的牢笼里。战前的父家长制自不必说，就连战后形成的近代家族也没有实现个人的真正解放。三部作品虽然各自有着不同的时代特征，但是在家庭中处于劣势的女儿、妻子、母亲对束缚自身的家制度的反抗、对自由和自我的追求、即使绝望也努力生活的姿态是一致的。
[Abstract]:Everyone has the desire to transform, big and small. We use changing shapes to express feelings that are difficult to express at ordinary times; through "transformation" to spread the daily accumulation of discontent and annoyance; we give others a more attractive, more positive impression of packaging their own, so beauty, Reshaping these "transformation" industries came into being. In recent years, it has become a social phenomenon to play a different cosplay through makeup, clothing and hairstyle. For a long time, women have been repressed below men's social status, so it is conceivable that women have more desire to change than men. Until recently, many women were exhausted by unwritten family rules, professional and family dilemmas, "want to be feminine," because you're a mother. " In order to solve these contradictions, so that women can really be an independent individual, a new era of women to give play to their own possibilities, we look back on the past, from the literature recorded in the image of women to analyze. You may find the cut-in point and the answer. Therefore, this article will take Taizhiji's "Fishery suit Notes" (1933), Mu Shunji's "Xi he" (1949), Sichuan Hongmei's "treading Snake" (1996) as an example, by examining the position of women in the family in the works, and the relationship between them and other family members. To explore its relationship with female metamorphosis. Individuals born in a society dominated by feudal morality, even if the pursuit of freedom often encounter setbacks, or eventually trapped in the "home" cage. The patriarchal system before the war did not mean that even the modern family formed after the war did not realize the real liberation of the individual. Although the three works have different characteristics of the times, their daughters, wives and mothers, who are at a disadvantage in the family, resist the family system that binds them, pursue freedom and self, and strive to live in a consistent manner, even in despair.
【学位授予单位】：北京第二外国语学院
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：I313.074

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