古希腊神话传说中的死亡母题研究

发布时间：2018-10-10 17:34

【摘要】：希腊神话与中国神话、印度神话、埃及神话并列为四大神话体系。由于自然和社会条件的差异，希腊神话在死亡叙事上与东方大相庭径，这为本文的写作提供了无限的契机。本文以“古希腊神话传说中的死亡母题研究”为题，着重阐述古希腊神话中死亡母题。探究死亡母题的特质，是理解西方文化体系的一个独特视角。 “绪论”。阐述本文的研究背景，指出对古希腊神话进行死亡母题研究的意义，，从而明确本文的研究方法及研究思路，并进一步指出本文的研究定位，为下文的论述奠定基础。第二章“古希腊神话传说中四种死亡母题类型”。本章是本文论述的重点和难点。第一节“惩罚型死亡母题”是神话故事的主体部分。这类故事中死亡主体之死源于神对人的惩罚，其中分为侵犯神祗、冒犯其亲属、侵犯其所属物、与神祗竞技以及男性人类对女神的侵犯五种类型。第二节“复仇型死亡母题”主要论述神话故事中因被复仇而惨遭罹难的死亡主体，分为女性复仇性死亡和男性复仇性死亡两类。第三节“主动型死亡母题”是指死亡主体为了特定的价值去向而放弃生的权利，为“道”而超越死亡的类型，具体分为荣誉而亡、爱情与死亡以两类。第四节“无辜型死亡母题”，死亡主体本身并无致命的过错，但是由于其它原因而被剥夺生命的故事类型，又分为神神的矛盾和献祭两类。第三章“古希腊神话传说中死亡母题生成的基础”。分别从思维、认识、自然及社会四个角度，解释和论证古希腊神话中这种独特死亡现象产生的土壤。第四章“古希腊神话传说中死亡母题的特点”，分别从形式和内容两个角度，总结并归纳古希腊神话中死亡母题叙事的的特点。希腊神话死亡母题叙事从形式上呈现出写实与诗意交融的特点，而从内容上则表现为强烈的人本主义色彩。最后结语部分是对全文的总结与升华，从文学角度探讨希腊神话死亡母题的意义。
[Abstract]:Greek mythology, Chinese mythology, Indian mythology and Egyptian mythology are all four mythological systems. Because of the difference between the natural and social conditions, Greek mythology is in the same way as the East in the narrative of death, which provides an infinite opportunity for the writing of this paper. This paper focuses on the motif of death in ancient Greek mythology, focusing on the study of the motif of death in ancient Greek mythology. Exploring the characteristics of the motif of death is a unique angle of view to understand the western cultural system. Introduction. This paper expounds the research background of this paper, points out the significance of the study on the motif of death in ancient Greek mythology, so as to clarify the research methods and research ideas of this paper, and further points out the research orientation of this paper, which lays a foundation for the following discussion. Chapter two: four types of death motif in ancient Greek mythology and legends. This chapter is the focus and difficulty of this paper. The first section is the main part of the myth story. The death of the subject of death in this kind of story stems from God's punishment of man, which is divided into five types: infringing gods, offending their relatives, infringing their objects, competing with gods and attacking goddesses by men. The second section, "revenge death motif", mainly discusses the subject of death in mythical stories, which is divided into two categories: female revenge death and male revenge death. The third section "active death motif" refers to the death subject giving up the right to live for the sake of specific value, transcending the type of death for the sake of "Tao", specifically divided into honor and death, love and death in two categories. In the fourth section, "innocent death motif", the subject of death has no fatal fault, but the story type of being deprived of life because of other reasons is divided into two categories: contradiction of God and sacrifice. The third chapter is the foundation of the formation of the motif of death in ancient Greek myths and legends. From four angles of thinking, understanding, nature and society, this paper explains and proves the soil of this unique death phenomenon in ancient Greek mythology. Chapter four, "the characteristics of death motif in ancient Greek mythology and legend", summarizes and summarizes the characteristics of the narrative of death motif in ancient Greek mythology from two angles of form and content. The narrative of death motif of Greek mythology presents the characteristics of the blending of realism and poetry in form, while the content shows strong humanism. The last part is the summary and sublimation of the full text, from the literary point of view to explore the significance of Greek mythology death motif.
【学位授予单位】：湖南大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：I545.077

【参考文献】