柳美里家庭作品中日本女性家庭观的转变

发布时间：2018-10-12 08:47

【摘要】：柳美里（1968～）出生于日本，在日韩国人二代。从幼年时代起，因为在日韩国人身份以及无法敞开心扉与他人沟通，经常被同学欺负。中学时代，柳美里经历了离家出走和自杀未遂，这样的生活经历对她的文学创作产生了很大的影响。高中一年级退学后，，柳美里加入了东由多加的剧团，迎来了人生的巨大转机。在东由多加的鼓励与帮助下，柳美里作为作家亮相。她的作品以自己的家庭状况和亲身经历为题材，主要分为两类：一类以《家庭电影》为代表，这部获得芥川奖的作品讲述的是20年前就已经分崩离析的家庭为了实拍一部反映一家人现实生活的纪录片，又重聚一堂，作品展现了传统家庭的解体。但是柳美里并非一味地为血缘家庭解体的不幸大唱挽歌，同时也在思考和尝试一种可以取代传统家庭的新型家庭模式；另一类以自传体小说《命》四部曲为代表，描写了柳美里与已婚男子相恋、未婚怀孕、对方变心后被抛弃，之后与患癌症的前男友东由多加再会，和东由多加及婴儿相互扶持共同生活的感人故事。小说中描述的由不同血缘、不同姓氏组成的家庭是有悖于传统家族制和家庭制度的，这表明作者要试图建立一个作为崭新共同体而存在的家庭。柳美里的作品曾获得芥川奖、泉镜花奖，在日本国内极为畅销。由于作品深刻反映了现代家庭的解体，尤其受到女性读者的欢迎。作品还被搬上荧幕，且译作在中韩等多国出版。探究家庭崩溃缘由，探索家庭的再生，这些构成了柳美里小说的主题。作品深刻反映了现代女性家庭观的转变。在晚婚、不婚现象逐年显著的日本，现代女性的独立意识提高，期待建立一种不拘泥于血缘关系的，在精神上能相互支持的现代家庭模式。因此，事实婚这样的新的家庭形式悄然产生。本论文通过分析柳美里以家庭为题材的作品，进而探索日本女性的现代家庭观。论文由序论、正文和结论三部分构成。绪论部分介绍柳美里及其主要作品。归纳总结中日相关先行研究，阐明研究方法，提出论文的写作目的。正文分为四章。第一章总结近代日本女性文学中以家庭为题材的作品概况，并且研究作为其中一份子的柳美里私小说的特点。第二章通过分析柳美里的代表性作品，分析比较其中的家庭模式。第三章从柳美里在日韩国人的身份、家庭构成以及柳美里所处的社会环境三方面入手，探究其家庭观出现的原因。第四章结合日本社会现实，论证现代日本女性家庭观的变迁，并以目前日本社会流行的事实婚为例探究一种相互扶持的新型家庭关系。结论总括全篇，并提出论文的不足之处和进一步的研究方向。
[Abstract]:Yoo Mei-li (1968 ~) was born in Japan, in the second generation of Koreans in Japan. Since childhood, Korean identity in Japan and the inability to open their hearts to communicate with others, often bullied by classmates. In high school, Liu Mei-li experienced running away from home and attempted suicide, which had a great influence on her literary creation. After dropping out of first grade high school, Liu Mei-li joined Dongyidoga's troupe and ushered in a huge turnaround in life. With the encouragement and help of Dongyu, Liu Mei-li appeared as a writer. Her works are based on her own family situation and personal experience, and are divided into two main categories: one is represented by "Family Film". The Mustard Prize is about a broken family 20 years ago, reunited to make a documentary about the real life of the family. It shows the disintegration of the traditional family. But Liu did not blindly sing elegiac songs for the misfortune of the breakup of a blood family, but was also thinking about and trying a new family model that could replace the traditional family; another type was represented by the autobiographical novel "Life", a quadrangle. Liu Meili and married men love, unmarried pregnant, the other was abandoned after a change of heart, and then with the cancer of the ex-boyfriend Dong Yujia farewell, and Dong Yujia and the baby to support each other's moving story. The novel describes a family composed of different blood and surnames, which is contrary to the traditional family system and family system, which indicates that the author is trying to establish a family as a new community. Liu Mei-li 's works have won the Kuagawa Award, the Springs Mirror Award, in Japan extremely popular. Because the work deeply reflects the disintegration of the modern family, it is especially popular with female readers. Works were also brought to the screen, and translated in China and South Korea and other countries published. Exploring the cause of family collapse and the regeneration of family constitute the theme of Liu Mei-li 's novels. The works deeply reflect the transformation of modern female family view. In Japan, where the phenomenon of late marriage and non-marriage is obvious year by year, the independence consciousness of modern women is improved, and they expect to establish a modern family model which is not tied to blood relations and can support each other in spirit. Thus, a new form of family, such as de facto marriage, emerged quietly. By analyzing Liu Mei-li 's works on family, this paper explores the modern family view of Japanese women. The thesis consists of three parts: preface, text and conclusion. The introduction introduces Liu Meili and his main works. Summarize the related research, clarify the research methods, and put forward the purpose of writing the thesis. The text is divided into four chapters. The first chapter summarizes the family-related works in modern Japanese female literature and studies the characteristics of Liu Mei-li 's private novels as one of them. The second chapter analyzes the representative works of Liu Meili and compares the family patterns. The third chapter explores the reasons for the emergence of Liu Mei-li 's family view from three aspects: the identity of Liu Mei-li in Japan, the composition of the family and the social environment in which Liu Mei-li is located. The fourth chapter discusses the changes of modern Japanese female family concept and explores a new type of family relationship which supports each other by taking the popular de facto marriage in Japanese society as an example. Conclusion the whole paper is summarized, and the deficiency and further research direction of the thesis are put forward.
【学位授予单位】：辽宁大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：I313.074

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