国家战争体制下的“非国民”——《上海月亮》中的鲁迅

发布时间：2019-01-24 17:02

【摘要】：正一、关于《上海月亮》与"非国民"《上海月亮》是日本著名剧作家井上厦①1991年创作的剧本,曾在小松剧场上演,而后获得第31届谷崎润一郎奖。2011年2月出版了同名中译本。据鲁迅日记记载,由于受蒋介石国民党政府军警的追捕,鲁迅先后四次(在1930、1931、1932、1934年)被迫避难,这几次避难都得到了当时在上海经营书店的日本人内山完造的帮助。剧本《上海月亮》就是把这四次避难浓缩成了一次避难。在剧本的开头,井上这样写到"(由于把四次避难浓缩成了
[Abstract]:One, about the Shanghai Moon> and the "non-national" is a script written in 1991 by the well-known Japanese dramatist, which was staged at the Komatsu Theatre and then won the 31st Yamazaki Runichiro Award. In February 2011, a Chinese version of the same name was published. Lu Xun, according to Lu Xun's diary, was forced to take refuge four times (in 1930, 1931, 1932, 1934) due to the arrest of the Chiang Kai-shek's Kuomintang government and police, which had been helped by the Japanese people who had run a bookshop in Shanghai at that time. The script, the Shanghai Moon, is to concentrate the four times of asylum in a time of refuge. At the beginning of the script, it's written on the well. "(because of the concentration of four asylum)
【作者单位】： 吉林大学日本语言文学系;
【分类号】：I313.073
，

本文编号：2414650

qikan