世界主义、世界文学以及中国文学的世界性

发布时间：2019-07-28 20:24

【摘要】：尽管世界主义已经成为当今国际学界的一个前沿理论话题,但它依然很少在中国的文学理论批评界得到深入的讨论。本文首先以世界主义在中国的实践作为参照,追溯其在中国和世界其他地方的源头,并且主要从文化和文学视角对这一颇多争议的概念作出新的建构。然后,文章以世界主义作为参照,讨论了中国现代文学的国际化进程。作者试图论证:从文学的角度来看,在现代中国讨论世界主义,其意义在于通过大量地将西方文学译成中文来达到向西方文学认同的目的。但是随着全球化时代的到来、中国经济的飞速发展以及莫言荣获诺贝尔文学奖,中国文学的国际化应该提到议事日程上了。因此就这一点而言,世界主义之于中国及其文学和文化便显示出新的意义。莫言的成功很大程度上在于,他恰到好处地把中国人所面临的一些基本问题放在一个广阔的世界语境下来探讨,而这也正是世人所共同关心的问题。
[Abstract]:Although cosmopolitanism has become a frontier theoretical topic in the international community, it is still rarely discussed in the field of literary theory criticism in China. First of all, this paper takes the practice of cosmopolitanism in China as a reference, traces its source in China and other parts of the world, and mainly makes a new construction of this controversial concept from the perspective of culture and literature. Then, taking cosmopolitanism as a reference, the article discusses the internationalization process of modern Chinese literature. The author tries to prove that from the literary point of view, the significance of discussing cosmopolitanism in modern China lies in the recognition of western literature through the translation of western literature into Chinese. However, with the advent of the era of globalization, the rapid development of Chinese economy and Mo Yan won the Nobel Prize for Literature, the internationalization of Chinese literature should be put on the agenda. Therefore, cosmopolitanism shows new significance to China and its literature and culture. To a large extent, Mo Yan's success lies in the fact that he properly discusses some of the basic problems faced by the Chinese people in a broad world context, which is also the common concern of the world.
【作者单位】：清华大学外文系;
【分类号】：I106

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