赣胡伴奏艺术之研究

发布时间：2018-01-10 02:09

本文关键词：赣胡伴奏艺术之研究　出处：《江西师范大学》2012年硕士论文　论文类型：学位论文

【摘要】：赣剧作为赣文化的一个重要组成部分，其悠久的历史和浓郁的艺术魅力，使之成为江西最具代表的地方大戏剧种，于2011年被列入国务院颁布的第三批国家级非物质文化遗产的名录中。“赣剧”之名是由20世纪50年代赣东北地区的“饶河戏”和“信河戏”合流而定名的。在其发展的进程中逐渐融入高腔、乱弹腔、昆腔等，形成了一个多声腔的剧种。它除了在语言、声腔、音乐旋律等方面有着自己独特的艺术风格外，为唱腔伴奏的主奏乐器——赣胡，也在其形制、音色及伴奏手法上，形成了自身所独有的特征。因此，作为赣剧音乐重要的组成部分，对赣胡的演奏及伴奏艺术进行全面的研究，无论从赣胡这一乐器的角度出发，还是对赣剧音乐中唱腔、曲牌及舞台表演的认识都具有重要意义。本文以赣剧及其音乐为基础，对赣胡的构造、演奏技法、伴奏手法，以及赣胡所演奏的过门、曲牌和其他音乐在剧种中所起的作用等几个方面进行分析，并对赣胡发展现状和前景做了初步的论述。全文包括四个部分：第一章赣剧的渊源及其音乐构成：本章从赣剧的起源、发展及其音乐艺术特征上对赣剧艺术进行了简单的梳理，并明确赣胡在赣剧音乐中所起的作用。第二章赣剧主奏乐器赣胡的演奏艺术：本章分析赣胡成为主奏乐器的源由，并对赣胡的构造与演奏技法及其特点进行了较为详细的阐述。第三章赣剧主奏乐器赣胡的伴奏艺术：本章以赣剧音乐为基础，分析了赣胡所演奏的过门在唱腔中的程式性特点；为烘托唱腔旋律，以“同音伴腔”为主，“同中有异”为辅的伴奏手法，，使赣胡的伴奏旋律与唱腔旋律产生交错的融合，凸显了唱腔与伴奏的不可分割性；同时，赣胡在演奏曲牌和其他音乐时在唱腔中所起到前奏、间奏及尾奏的作用也是不容忽视的伴奏特点。第四章赣剧主奏乐器赣胡的艺术发展：本章分析了在赣胡艺术发展现状中所存在的问题，提出解决方案并对其前景进行了展望。
[Abstract]:Jiangxi as an important part of the culture, its long history and rich artistic charm, making Jiangxi the most representative of the local opera drama, in 2011 was included in the State Council issued the third batch of national intangible cultural heritage list. "Jiangxi" is the name of the Northeast Jiangxi area by 1950s "Raohe opera" and "the letter play" after confluence. In its development process has gradually integrated into the cavity Kunqiang, Luantan, etc., to form a multi cavity type. It is in addition to language, tune, has its own unique artistic style and other aspects of music melody, accompaniment to singing the main musical instrument - Jiangxi Hu, also in its shape, tone and accompaniment gimmick, formed its own unique characteristics. Therefore, as an important part of Jiangxi music, a comprehensive study and play accompaniment art of Jiangxi Hu, no From the view of Hu Jiangxi of the instrument or the angle of Jiangxi singing music, is of great significance to understanding Qupai and stage performance.
On the basis of Jiangxi and its structure of Jiangxi, hu music, playing techniques, accompaniment techniques, and through playing Hu Jiangxi, several tunes and other music played in the drama in the role of other aspects of the analysis, and the Jiangxi Hu development status and prospects is preliminary discussed.
The full text includes four parts:
A music origin and first chapter: this chapter from Jiangxi Jiangxi origin, development and characteristics of music art has carried on the simple review of Jiangxi art, and clearly in Jiangxi Jiangxi Hu Music in the role.
The second chapter Jiangxi Gan Hu's main musical instrument playing art: this chapter analysis is the main instrument become Hu Jiangxi, Jiangxi and Hu and the structure of the playing techniques and features are described in detail.
The third chapter Jiangxi Gan Hu's main musical instrument accompaniment: this chapter to Jiangxi music as the foundation, analyzes the characteristics of program of Jiangxi Hu playing in the door in the aria for foil; singing melodies, "homonym with cavity", "abnormal" auxiliary y-zg102 in Jiangxi, the Hu accompaniment melody and singing melody produced interlaced fusion, highlights the singing and accompaniment are indivisible; at the same time, Hu Jiangxi and other music playing tunes in singing plays prelude, interlude and postlude role is not to be ignored. The characteristics of accompaniment
The fourth chapter Jiangxi mainMusical instrument Jiangxi Hu's artistic development: this chapter analyzes the current situation existing in the development of Jiangxi Hu in the art of the problem, put forward the solution and its prospect.

【学位授予单位】：江西师范大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：J825

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