对民间戏曲横岐调的调查与研究

发布时间：2018-01-12 22:09

本文关键词：对民间戏曲横岐调的调查与研究　出处：《河北大学》2017年硕士论文　论文类型：学位论文

【摘要】：横岐调,属于弦索系统的罗罗腔,是板腔与曲牌的混合体,目前流行于河北省涿州市横岐村,是历史比较悠久的汉族民间小剧种。横岐调剧目众多,唱腔独特,具有浓郁的民间风韵与地域风情。2006年,横岐调因其独特的特色以及艺术魅力,被列入河北省第一批省级非物质文化遗产名录,同时获得了更多的关注。本文将从非遗的角度来分析研究民间戏曲横岐调。文章主要分为四个部分。第一部分是对非物质文化遗产下横岐调的发展历史与生存环境进行简略的梳理,其中包括对横岐调的历史源流、发展历程、流传区域的介绍与概述。第二部分是横岐调的艺术特征进行论述,笔者将从文学体裁特征、音乐形态特征和表演特征三个方面来进行论述;其中文学体裁特征包括剧本题材和戏文词格的研究;音乐形态特征则主要从唱腔特征、调式与音阶特征、唱腔旋法特征、板式与节奏特征四个方面来进行论述;横岐调的表演特征则着重从演出习俗、不同行当的演唱特色、脸谱面具与服饰等舞台道具、文场伴奏及乐器使用情况、武场伴奏及乐器使用情况、文武场的座次排列等六个方面来进行详细的阐述。第三部分则是作为省物质文化遗产的横岐调的价值与社会功能阐述,其中主要从价值与社会功能两个方面来论述。价值主要体现在历史文化价值、地域性价值、艺术价值三个方面,而社会功能则体现在娱乐功能、教育功能、情感宣泄功能、文化引导功能、和文化承载功能等五个方面。第四部分是横岐调作为非物质文化遗产在当今社会的发展状况,笔者将分析横岐调传承遇到的问题、在变化发展中求生存的横岐调以及地方政策对横岐调的积极作用。其中横岐调传承存在的问题将从语言、剧目、人才和宣传四个方面进行论述;在变化发展中求生存的横岐调则从传统剧目的扩充、新剧目的探索、剧团的管理三个方面进行论述。最后将对文章进行全面总结。
[Abstract]:Hengqi, which belongs to the Luo Luo cavity of chord cable system, is the mixture of board cavity and qu card. It is popular in Hengqi village, Zhuozhou city, Hebei province at present, and is a relatively long history of Han folk drama. In 2006, due to its unique characteristics and artistic charm, Yokodiao was listed as the first batch of provincial intangible cultural heritage list in Hebei Province. At the same time, more attention has been paid to it. This paper will analyze and study the transverse dissonance of folk opera from the point of view of non-heritage. The article is divided into four parts. The first part is about the development history and survival environment of Yokodissonism under the intangible cultural heritage. The situation is briefly combed. The second part is about the artistic characteristics of Yokodissonism, the author will discuss the characteristics of literary genre. The music form characteristic and the performance characteristic three aspects to carry on the elaboration; The characteristics of literary genre include the study of the theme of the play and the style of the play. The characteristics of music form are mainly discussed from four aspects: the characteristic of singing, the feature of tone and scale, the feature of singing rotation, the feature of board and rhythm. The performance features of transverse dissonance focus on performing customs, singing characteristics of different professions, stage props such as facial masks and costumes, accompaniment and the use of musical instruments, martial arts accompaniment and the use of musical instruments. The third part is about the value and social function of the cross-adjustment as the material and cultural heritage of the province. Value is mainly reflected in three aspects: historical and cultural value, regional value and artistic value, while social function is reflected in entertainment function and educational function. Emotional catharsis function, cultural guidance function, and cultural bearing function. 4th part is the development of the intangible cultural heritage as a non-material cultural heritage. The author will analyze the problems encountered in the inheritance of the horizontal dissonance, the survival of the horizontal dissonance in the development of change and the positive role of local policies on the transversal, in which the problems existing in the inheritance of the horizontal dissonance will be from the language and the repertoire. Talent and propaganda are discussed in four aspects; The horizontal dissonance of survival in the course of change and development is discussed from three aspects: the expansion of the traditional repertoire, the exploration of the new repertoire and the management of the troupe. Finally, the article will be summarized in an all-round way.
【学位授予单位】：河北大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J617.5

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