双城皮影艺术的审美研究

发布时间：2018-01-20 14:29

本文关键词： 双城皮影艺术审美研究　出处：《哈尔滨师范大学》2010年硕士论文　论文类型：学位论文

【摘要】： 中国皮影具有悠久的历史、是千百年来我国民间重要的审美意识表达方式之一。皮影戏的研究是一个博大精深的课题,本文以双城皮影为个案进行研究,双城皮影艺术作为国家非物质文化遗产,内容丰富、历史悠久,具有很高的艺术价值。它兼备了艺术审美和社会娱乐的双重特性,对社会和教育产生了深刻的影响。在传统文化严重受到现代化冲击的今天,双城皮影作为一种活态的民间戏曲样式正在逐步没落,艺人正在逐渐消失。本文在前辈的研究成果的基础上,从审美学的新角度对皮影戏进行一次比较系统的梳理,对双城皮影戏的造型、视觉、表演、价值等艺术美进行阐述.旨在希望能为以后从事此方面研究的人们提供资料,同时也希望此论文能起到一个抛砖引玉的作用,使更多读者领略双城皮影戏的独特艺术魅力,意识到保护这些文化的重要。本文结合历史文献法与田野调查法,搜集整理大量的双城皮影戏的理论资料。也通过与民间皮影艺人的访谈,获得了大量的口述资料,为论文写作做了充分的准备。基于上述的写作思路,我将对双城皮影艺术的审美研究分为四大部分加以论述,以期尽量做到详尽。第一部分是绪论。概括的介绍了本课题研究的缘由,现状,目标,方法,创新和意义。第二部分是对双城皮影的历史文化的解读。分两个小节,一个是双城皮影的艺术源流,另一个是双城皮影的文化内涵。第三部分笔者着力探求双城皮影艺术的审美特征。这一部分,我将从美学的审美角度为读者展示双城皮影的造型美,表演美,形式美与内容美等内容,全方位地介绍皮影戏的美学特征,这是本论文论述的创新部分和重点部分。第四部分探讨双城皮影的创新和意义。本文认为,随着全球将非物质文化遗产列入抢救保护的日程,我们应该把握这个机会,及时地对像双城皮影这样濒临灭绝的优秀传统民间艺术进行总结,发现它们对于人类文化发展的宝贵价值及珍贵经验,及时抢救保护,使它们在现代化的今天重新吐露芬芳。
[Abstract]:Chinese shadow has a long history and is one of the most important expressions of aesthetic consciousness in Chinese folk for thousands of years. The study of shadow play is a broad and profound topic. This paper takes the shadow of Shuangcheng as a case study. As a national intangible cultural heritage, Shuangcheng Shadow Art has rich content, long history and high artistic value. It has the dual characteristics of artistic aesthetics and social entertainment. It has a profound influence on society and education. Today, when the traditional culture is seriously impacted by modernization, the shadow shadow of Shuangcheng, as a kind of living folk opera style, is gradually declining, and the artists are gradually disappearing. On the basis of the research achievements of the predecessors, this paper systematically combs the shadow play from a new perspective of aesthetics, and presents the modeling, vision and performance of the Shuangcheng shadow play. The purpose of this paper is to provide information for the future people who are engaged in this field of research, and also hope that this paper can play a role as a source of inspiration. So that more readers appreciate the unique artistic charm of Shuangcheng Shadow Drama and realize the importance of protecting these cultures. Collect and organize a large number of Shuangcheng shadow play theoretical data. Also through interviews with folk shadow artists, obtained a large number of oral materials, for the paper writing made a full preparation. Based on the above writing ideas, I will divide the aesthetic research of Shuangcheng shadow art into four parts, in order to try to be as detailed as possible. The first part is the introduction. The second part is the interpretation of the history and culture of the shadow shadow of Shuangcheng. It is divided into two sections, one is the artistic origin of the shadow shadow of the two cities. The third part focuses on the aesthetic characteristics of Shuangcheng shadow art. In this part, I will show the aesthetic beauty of Shuangcheng shadow for readers from the aesthetic point of view. The aesthetic features of shadow play are introduced in all directions, which is the innovation and key part of this paper. Part 4th discusses the innovation and significance of the shadow shadow of Shuangcheng. With the global intangible cultural heritage included in the rescue and protection of the agenda, we should seize this opportunity to timely like Shuangcheng shadow such as the extinction of such outstanding traditional folk art. To discover their valuable value and experience for the development of human culture, to rescue and protect them in time, to make them rediscover their fragrance in the modern times.
【学位授予单位】：哈尔滨师范大学
【学位级别】：硕士
【学位授予年份】：2010
【分类号】：J827

【相似文献】