《白兔记》在近代地方戏中的流变

发布时间：2018-01-23 07:49

本文关键词： 《白兔记》地方戏流变　出处：《戏曲艺术》2015年02期 　论文类型：期刊论文

【摘要】：《白兔记》为宋元四大南戏之一,在戏曲演出舞台上经久不衰。近代随着地方戏的兴起,《白兔记》又成为各剧种声腔的保留剧目,脚本丰赡,流传甚广。民间戏的特性,促使近代的民间艺人在编演时除了沿袭明清时期民间艺人的舞台演出本外,还对故事情节、表演效果、曲体形式等方面进行完善与丰富,使之在近代戏曲的演出舞台上呈现同中显异的风貌,并不断地焕发崭新的生机。
[Abstract]:"White Rabbit" is one of the four major southern operas in Song and Yuan dynasties, and has survived on the stage of opera performance for a long time. With the rise of local operas in modern times, "White Rabbit" has become a reserved repertoire of all kinds of plays and abundant scripts. The characteristics of folk opera made modern folk artists not only follow the stage performances of folk artists during the Ming and Qing dynasties, but also the story plot and the performance effect. The style of music is improved and enriched in order to show the same style and different appearance on the stage of modern opera and constantly radiate new vitality.
【作者单位】：浙江传媒学院中文系;
【正文快照】： 《白兔记》,明徐渭《南词叙录》“宋元旧篇”著录,题《刘知远白兔记》。明吕天成《曲品》“能品一”称其“词极古质,味亦恬然,古色可挹”1。宋元旧本佚,而在以辑佚宋元南戏为主的《九宫正始》与《寒山堂曲谱》两本曲谱中,查得前者收《白兔记》57支曲子,后者收21支曲子,剔除重

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