岔曲腔词结构关系考辨

发布时间：2018-01-23 08:05

本文关键词： 岔曲腔词结构关系考辨　出处：《中国音乐》2017年01期 　论文类型：期刊论文

【摘要】：岔曲始于清朝而传唱至今,约有二百余年历史。几代音乐学者针对其腔词结构关系问题进行探究,难成统一结论。笔者对其研究的历史做以回顾,以"文献考证"之法,梳理众说纷纭的不同观点,从中清晰可见诸多说法的嬗变过程。继而,依"音乐本体"研究"基因解析"之法试析小、大岔曲两令,得出小岔曲以四句腔体可填入六句或八句唱词,并可插入"数板"(或曰垛句),使其体制结构不断扩大而成大岔曲的发展逻辑。进而,在美学层面对其做以粗浅探讨。
[Abstract]:Fork song began in the Qing Dynasty and has been sung up to now, about 200 years of history. Several generations of musical scholars to explore the relationship between the structure of its cavity words, it is difficult to reach a unified conclusion. The author reviews the history of its research. With the method of "document textual research", combing the different viewpoints of different opinions, the transmutation process of many theories can be clearly seen. Then, according to the method of studying "gene analysis" of "Music Noumenon", this paper tries to analyze small, and the two orders of "Dacha qu". It is concluded that in a four-sentence cavity, Xiaocha qu can be filled in with six or eight words, and can be inserted into "several plates" (or "stacking sentence"), which makes its system structure continuously expand and become the development logic of "big fork". In the aesthetic level to do a superficial discussion of it.
【作者单位】：沈阳音乐学院;
【分类号】：J617.9
【正文快照】： 清乾隆以降,岔曲盛行都下,有八旗子弟及艺人传唱于军营、宫廷、票房、酒肆、茶馆、堂会等地。岔曲曲词最早得以辑录刊印可见于乾隆六十年(1795)《霓裳序谱》及嘉庆九年(1804)《白雪遗音》两书中。20世纪30年代至今,有诸君以不同视角对其进行研究,范围角度大体包括四方面内容:

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