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《洪湖赤卫队》的艺术特征及它对中国歌剧发展的启示

发布时间:2018-01-24 09:54

  本文关键词: 中国歌剧 洪湖赤卫队 戏曲 艺术特征 启示 出处:《江西师范大学》2011年硕士论文 论文类型:学位论文


【摘要】:中国歌剧自诞生以来,从艰苦摸索到逐渐成熟,再到变革创新,至今已走过了几十年的曲折历程。它在吸取继承本民族的优秀传统音乐文化基础上,借鉴西方的作曲技法来进行创作,从而形成了自己的独特民族风格。歌剧《洪湖赤卫队》把我国歌剧的“民族化”推向了一个比较成熟的阶段,并和歌剧《江姐》一起掀起了我国歌剧史上的“第二次高潮”。 中国歌剧的民族风格特色在剧中是如何体现的,本文通过对歌剧《洪湖赤卫队》艺术特征的分析,总结这一时期的歌剧风格共同特点,为当今歌剧提供了一些值得借鉴的经验。 本文在第一章主要阐述了中国歌剧的发展,时间是从秧歌剧到白毛女,之中列举了每个时期的歌剧作品,对其作品当时的背景和本身艺术特色进行了研究,说明了新的艺术形式的出现是有其历史和自身的原因的。第二章主要论述了歌剧《洪湖赤卫队》的文学特征,音乐特征。《洪湖赤卫队》是歌剧经历了第一个高潮以后才被创作出来的,它的身上有着很多中国戏曲艺术的影子,同时也注入了西洋歌剧的新鲜血液,本章对此进行了详细的剖析。第三章总结了《洪湖赤卫队》创作的成功经验,及其对当今歌剧的积极影响和带来的思考。
[Abstract]:Since its birth, Chinese opera has gone through a tortuous course of several decades from hard groping to gradual maturity, and then to innovation. It is based on absorbing the excellent traditional music culture of this nation. Drawing lessons from western composition techniques to create, thus forming their own unique national style. Opera "Honghu Red Guards" to our opera "nationalization" to a relatively mature stage. And the opera "Jiang Jie" together set off a "second climax" in the history of Chinese opera. How is the national style characteristic of Chinese opera reflected in the play? this article summarizes the common characteristics of opera style in this period through the analysis of the artistic characteristics of the opera Honghu Red Guard team. It provides some valuable experience for today's opera. In the first chapter, this paper mainly expounds the development of Chinese opera, from Yang opera to White-haired woman, enumerates the opera works of each period, and studies the background of the works at that time and their own artistic characteristics. The emergence of the new art form has its history and its own reasons. The second chapter mainly discusses the literary characteristics of the opera Honghu Red Guard. "Honghu Red Guard" was created after the first climax of opera. It has a lot of Chinese opera art shadow, but also injected the fresh blood of Western opera. The third chapter summarizes the successful experience of Honghu Red Guards and its positive influence on today's opera.
【学位授予单位】:江西师范大学
【学位级别】:硕士
【学位授予年份】:2011
【分类号】:J822

【引证文献】

相关期刊论文 前1条

1 梁袁媛;;歌剧《看天下劳苦人民都解放》的演唱技巧[J];大舞台;2012年08期

相关硕士学位论文 前1条

1 王珏;论四代韩英扮演者艺术表演的传承及对中国民族歌剧的启示[D];华中师范大学;2013年



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