论瓦阁纳“乐剧”与“传统歌剧”的差异

发布时间：2018-02-10 20:57

本文关键词： 乐剧瓦格纳主导动机整体艺术　出处：《东北大学》2009年硕士论文　论文类型：学位论文

【摘要】：瓦格纳乐剧是一种独立而特殊的音乐戏剧。它是瓦格纳独特艺术理念的产物,它从根本上有别于其他的音乐戏剧,但又在传承上与“传统歌剧”有着千丝万缕的联系。传统意义的歌剧自诞生之日起到瓦格纳乐剧出现之前,大约经历了200多年的时间。在这期间,音乐作品曾长期被宗教思想所奴役,音乐失去了本身描绘心灵与传达仁爱的特质,只是到了浪漫主义时期,音乐才开始为人的情感效力。瓦格纳生活在浪漫主义后期,他的音乐创作深受此前音乐大师的影响,但不同而且重要的是：瓦格纳的音乐是-种预言,预言他所向往的理想世界。他认为戏剧是力量巨大的；是足以替代他改造思想世界的。但此时的音乐戏剧并没有他所预期的强力,只有通过自己的创造,才能实现他艺术理想的显现。“主导动机”的创造不仅体现在为后世音乐发展奠定基石,更重要的价值在于他以此为有力武器,颠覆旧戏剧的禁锢。瓦格纳的乐剧不为娱乐大众而作,不为逢迎时代而作。他的戏剧是戏剧式的交响,哲学的声部、音乐的声部、戏剧的声部、文学的声部、建筑美学与舞台美学的声部纷繁交织,渐融渐透,只为唯一的“整体艺术”理想而作,就是打破禁锢的理想。每部乐剧都是围绕着自己思想灵魂的主线,自第一个音符鸣响之后,便绝不停息的将戏剧发展进行到最后,不到最后的音响消退是绝不罢休的。在戏剧进行间,没有一个真正传统意义上的终止式传入人们的耳中,这是传统歌剧中决绝不会出现的现象。这就是戏剧的革命。虽然我们不否认旧剧的价值,但我绝对信仰乐剧的理念——未来戏剧发展的方向。
[Abstract]:Wagner's musical drama is an independent and special musical drama, which is the product of Wagner's unique artistic idea. It is fundamentally different from other musical plays, but it is closely related to traditional opera. Opera in the traditional sense lasted about 200 years from the date of its birth to the emergence of the Wagner opera. During this period, music was enslaved by religious ideas for a long time. It was only during the Romantic period that music began to work for people's emotions. Wagner lived in the late Romantic period, and his music creation was deeply influenced by previous music masters. But different and important: Wagner's music is a kind of prophecy, predicting the ideal world he yearns for. Is enough to replace him in transforming the world of thought. But the musical drama of this time is not as powerful as he expected, only through his own creation, The creation of "dominant motive" lies not only in laying the foundation stone for the development of music in later generations, but also in using it as a powerful weapon to overthrow the imprisonment of the old drama. Wagner's plays are not for the entertainment of the masses, nor for the sake of the times. His plays are dramatic symphonic, philosophical, musical, dramatic, literary. The sound parts of architectural aesthetics and stage aesthetics are intertwined and gradually melts, only for the only "whole art" ideal, that is, to break the imprison ideal. Every musical play revolves around the main line of one's own mind and soul. Since the first note has sounded, the drama has never ceased to develop to the end, and it will not rest until the final sound recedes. There is not a truly traditional way of putting an end into people's ears, which is a phenomenon that will never appear in traditional operas. This is the revolution in drama. Although we do not deny the value of old plays, But I absolutely believe in the idea of music-the future direction of drama development.
【学位授予单位】：东北大学
【学位级别】：硕士
【学位授予年份】：2009
【分类号】：J832

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