抛弃京平大戏模式,回归二人转传统——关于吉剧发展的一点思考

发布时间：2018-02-16 14:17

本文关键词： 戏拟表演体系民间小戏乡村爱情喜剧性薛丁山狄仁杰二人转音乐美学风格单出头 　出处：《戏剧文学》2014年06期 　论文类型：期刊论文

【摘要】：正京平模式:"大"思维的产物吉剧在理论上是以二人转为基础的,但是,二人转如火如荼、方兴未艾,吉剧却冷落萧条、难以为继。吉剧曾经在北京大受肯定和奖励,在香港展演"动静挺大",也获得轰动效应,但是,在吉林老百姓这里却不怎么买账。吉剧探索实验了许多剧目,但是,吉剧却还是不能走进市场被人们买票欣赏。多少年来,在领导、艺术家和学者层面吉剧搞得很热闹,但在老百姓那里,却总觉得吉剧不如二人转好看,甚至有些吉剧不伦不类"四不像"的说法。
[Abstract]:Zhengjingping model: the product of "Da" thinking, Ji Opera, is theoretically based on the "Erren turn". However, the Errenzhuan is in full swing and is in the ascendant, but the Ji Opera is in a doldrums, which is hard to sustain. It has been greatly recognized and rewarded in Beijing. In Hong Kong, the show "very noisy" has also gained a sensation, but the ordinary people in Jilin do not buy it very much. The Ji opera has explored and experimented with many plays, but it has still not been able to enter the market and be appreciated by people for tickets. For many years, At the level of leaders, artists and scholars, Ji opera is very lively, but in the common people's view, it is not as good as the two people's turn, and even some of them are not like the "four not like."
【作者单位】：黑龙江大学信息管理学院;吉林师范大学文学院;
【基金】：国家社科基金重大项目“东北地域文化研究”(10&ZD071)阶段性成果之一
【分类号】：J825

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