探析歌剧《白毛女》中“杨白劳”角色的人物塑造

发布时间：2018-03-03 18:45

本文选题：歌剧　切入点：杨白劳　出处：《上海音乐学院》2011年硕士论文　论文类型：学位论文

【摘要】：歌剧《白毛女》是我国歌剧作品最具代表性、流传最广的作品之一,是我国歌剧创作发展中第一个里程碑式的作品,个性鲜明的人物塑造,旋律抒情流畅,经典唱段流行于大江南北,在中国文艺史上写下了光辉的一页。自问世以来,它成为20世纪后半叶感动人数最多、影响最大的歌剧之一,伴随着歌剧“经典化”、“解经典”的过程,关于《白毛女》中“杨白劳”一角的研究也涉猎了越来越多的领域。本文以通过在宏观上对歌剧《自毛女》创造历史背景的梳理和全剧艺术特点的概论为基础,微观上以“杨白劳”一角为重点切入,剖析杨白劳唱段,掌握人物的音乐特点和形象塑造,以此总结在不同时期对杨白劳这一人物性格特征理解与表演上的变迁,哪些是应该变的,哪些是不应该变的,为我们的演出实践提供理论指导。
[Abstract]:Opera "White-haired Girl" is one of the most representative and widely circulated opera works in China. It is the first milestone in the development of opera creation in China. Popular in the north and south of the great rivers, the classic choir has written a glorious page in the history of Chinese literature and art. Since its inception, it has become one of the most popular and influential operas in the second half of 20th century. Along with the process of opera "canonization" and "solving the classic", the research on the corner of "Yang Bailuo" in White-haired Girl has also dabbled in more and more fields. On the basis of combing the historical background of the opera "self-Mao girl" and an overview of the artistic characteristics of the whole play, this paper focuses on the corner of Yang Bailuo, and analyzes Yang Bailu's choreography. To master the musical characteristics and image shaping of the characters, so as to sum up the changes in understanding and performing the character character characteristics of Yang Bailuo in different periods, which should be changed and which should not be changed. To provide theoretical guidance for our performance practice.
【学位授予单位】：上海音乐学院
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：J822

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