梅兰芳的绘画与表演艺术

发布时间：2018-03-23 02:11

  本文选题：梅兰芳　切入点：绘画　出处：《戏曲艺术》2017年03期 　论文类型：期刊论文

【摘要】：梅兰芳受父祖影响,自幼就喜欢绘画,从1913年起,有意识地结交大批知名画家,学习并收藏绘画,有时甚至到了"废寝亡餐地首选"的地步,抗日战争时期曾一度卖画度日。他认为绘画与戏曲"声息相通",都存在如何处理疏与密、繁与简、虚与实、动与静等对立统一关系的问题,都追求"神似",故从戏剧的角度出发,学习并研究绘画,从中获取创作灵感,提升自己的表演艺术水准。梅兰芳的绘画得文人画之神髓,具有尚雅而不绝俗的品格,这与其尚雅而不绝俗的表演艺术构成了一种共生共荣、互相促进的关系。
[Abstract]:Under the influence of his father and father, Mei Lanfang was fond of painting since his childhood. Since 1913, he has consciously made friends with a large number of well-known painters, studied and collected paintings, and sometimes even reached the point of "the first choice of the dead and the dead". During the War of Resistance against Japan, he once sold paintings for a living. He thought that painting and opera were "connected with each other", and that there were problems in how to deal with the unity of opposites such as sparse and dense, complexity and simplicity, hypocrisy and reality, motion and stillness, and so on. They all pursue "divine resemblance," so they study and study painting from a dramatic point of view, so as to obtain creative inspiration and improve their own performing art standard. Mei Lanfang's painting has the character of elegance and unfailing vulgarity in literati painting. It is a symbiotic and mutually reinforcing relationship with its elegant and unfailing performing arts.
【作者单位】： 武汉大学艺术学院;
【分类号】：J212;J821
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本文编号：1651427