郭文景室内歌剧《夜宴》音乐结构及风格研究

发布时间：2018-04-08 22:25

本文选题：郭文景　切入点：室内歌剧　出处：《上海音乐学院》2012年硕士论文

【摘要】：本文研究重点为郭文景四场室内歌剧《夜宴》(2001,Op.35)的音乐结构及风格。通过已有的音乐分析相关手法,结合音响,对歌剧总谱作细致深入地分析,在大量实证研究的基础上,分别对该歌剧创作的戏剧结构、音乐结构形态、主题材料与结构力关系以及歌剧结构对位等进行探讨。全文共分为五个部分：第一部分：绪论。主要陈述了选题依据、研究现状、研究重点与特色等,其中包括郭文景歌剧创作概况,西方歌剧传统以及中国歌剧的概述；第二部分：第一章,剧本分析。《宴》剧是由四场戏、三个间奏和—尾声构成的纯戏剧式结构。其结构包含五个层次：序曲、开端、中部、结尾、尾声,分别展开分析了与这五个层次相对应的戏剧创作手法。第三部分：第二章,音乐分析。本章内容包括《宴》剧音乐的宏观描述及分析,音乐形象与主题材料的布局,以变奏手法为主的集中对称的音乐形式化过程,总结了《宴》剧创作中的戏剧化作曲技术。第四部分：第三章,《宴》剧音乐风格及作曲家之文学、绘画与戏剧态度。本章综合《宴》剧的音乐风格,阐述《宴》剧中所蕴含的文学之美、绘画之美与建筑之美,并综合探讨了其‘结构对位与戏剧观融合。第五部分：结论。本文从剧本、音乐、戏剧等方面深入分析,较全面的探讨了郭文景室内歌剧《夜宴》的音乐结构与风格,陈述了该歌剧音乐创作的两大动力与两大控制力。概括了其集中对称的音乐结构样式,并总结出其戏剧化的歌剧音乐创作特点,对该歌剧创作之中的戏剧思维与表达做出较有深度的观察与思考。
[Abstract]:This paper focuses on the musical structure and style of Guo Wenjing's four indoor operas, "Night Banquet" (Op. 35).Through the existing music analysis related techniques, combined with sound, to make a careful and in-depth analysis of the total opera spectrum, on the basis of a large number of empirical research, respectively, the opera creation of the dramatic structure, music structure form,The relationship between the theme material and the structural force and the opera structure alignment are discussed.The full text is divided into five parts:Part one: introduction.It mainly describes the basis of the topic, the status quo of the research, the focus and characteristics of the research, including Guo Wenjing's opera creation, the western opera tradition and the outline of the Chinese opera.The second part: chapter one, script analysis. The play is a pure theatrical structure consisting of four plays, three interacts and-ending.Its structure includes five levels: prelude, beginning, middle, end and end.The third part: the second chapter, music analysis.The content of this chapter includes the macro description and analysis of drama music, the layout of music image and theme materials, the formal process of concentrated and symmetrical music with variation technique, and summarizes the dramatic composition techniques in the creation of drama.The fourth part: chapter three, the musical style of drama and the composers' literature, painting and dramatic attitude.This chapter synthesizes the musical style of "Banquet" drama, expounds the beauty of literature, painting and architecture, and probes into the combination of "structural opposites" and "drama views".Part V: conclusion.This paper analyzes the musical structure and style of Guo Wenjing's indoor opera "Night Banquet" from the aspects of script, music, drama and so on, and states the two driving forces and two controlling forces of the opera music creation.This paper summarizes its concentrated and symmetrical musical structure, summarizes its dramatic characteristics of opera music creation, and makes a deeper observation and reflection on the dramatic thinking and expression in the opera creation.
【学位授予单位】：上海音乐学院
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：J822

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