京歌音乐表演艺术研究

发布时间：2018-04-13 10:16

本文选题：京歌 + 民族声乐　；参考：《江西师范大学》2012年硕士论文

【摘要】：众所周知，京剧是中华民族的艺术瑰宝，是我们的“国粹”。京歌就是在京剧的优秀文化基础上发展起来的，具有现代歌曲形式的文化现象。针对这一艺术形式和文化发展的现状，笔者将京歌作为研究对象，旨在归纳和总结京歌的整体音乐特征和具体京歌音乐作品的演唱特色和技术要求。论文以研究京歌的形成与发展为前提，分析京歌的定义、本源、分类、产生及发展情况，重点在对具体京歌音乐作品中的旋律特点、调式特点、节奏特点和伴奏特点进行分析，让读者能够对京歌这一特殊的艺术形式在创作特点方面有一定了解。同时在京歌的演唱要求方面，本文分别从咬字、呼吸、韵味和舞台表演四个方面进行分析与阐述，目的在于更好地丰富京歌的演唱理论，最终为京歌演唱者提供一定帮助。
[Abstract]:As we all know, Beijing Opera is the art treasure of the Chinese nation and our "quintessence".Beijing Opera is developed on the basis of excellent culture of Beijing Opera, with the cultural phenomenon of modern song form.In view of the present situation of this artistic form and cultural development, the author regards Beijing Song as the object of study, aiming at summing up and summarizing the overall musical characteristics of Beijing song and the singing characteristics and technical requirements of specific Beijing song music works.On the premise of studying the formation and development of Beijing songs, this paper analyzes the definition, origin, classification, emergence and development of Beijing songs, focusing on the characteristics of melody, tone, rhythm and accompaniment in specific Beijing song music works.So that readers can understand this special artistic form of Peking Opera in terms of creative characteristics.At the same time, in the singing requirements of Beijing song, this paper analyzes and expounds from four aspects of pronunciation, breath, charm and stage performance, with the purpose of enriching the singing theory of Beijing song better and providing certain help for the singer of Beijing song in the end.
【学位授予单位】：江西师范大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：J825

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