歌剧《野火春风斗古城》中杨母人物形象及其唱段分析

发布时间：2018-04-21 00:10

本文选题：歌剧 + 《野火春风斗古城》　；参考：《河南大学》2010年硕士论文

【摘要】： 为了迎接中国人民解放军建军80周年和纪念抗日战争胜利60周年的到来,总政歌剧团在2005年9月推出了全新版现代民族歌剧《野火春风斗古城》。这部具有史诗性的军事题材歌剧作品,以新颖的艺术表现手法,展现了一幅中国共产党领导下的波澜壮阔的全民抗战图景,有力的弘扬了我们顽强的民族精神和自强不息的民族魂魄。本文主要对歌剧《野火春风斗古城》中“杨母”的人物形象塑造及主要唱段进行了探讨研究。绪论部分主要说明研究《野火春风斗古城》中杨母这一形象的目的和意义、研究现状、资料来源等。第一部分分析了歌剧《野火春风斗古城》的创作背景和创作意义;第二部分阐述了杨母的人物形象;第三部分对杨母两首咏叹调的音乐形态分析;第四部分对杨母两首咏叹调的演唱分析。结语部分,进一步阐述杨母这一歌剧形象的塑造的意义。
[Abstract]:In order to welcome the arrival of the 80th anniversary of the founding of the PLA and the 60th anniversary of the victory of the Anti-Japanese War, the General political Opera Group launched a new version of the modern national opera "the Old City of Wild Fire and Spring fighting" in September 2005. This historic and poetic opera with military themes, with novel artistic expression, shows a magnificent picture of the anti-Japanese war of the whole people under the leadership of the Communist Party of China. We have been able to carry forward the tenacious national spirit and self-improvement of the national soul. In this paper, the characters of Yang Mu in the opera "Wild Fire and Spring fighting Ancient City" are studied. The preface mainly explains the purpose and significance of studying the image of Zhongyang Mother, the present research situation and the sources of data and so on. The first part analyzes the background and significance of the creation of the opera "the Old City of Wild Fire and Spring fighting"; the second part expounds the character image of Yang Mu; the third part analyzes the music form of Yang Mu's two arias. The fourth part is about the singing analysis of Yang Mother's two arias. In the conclusion part, the significance of the portrayal of Yang Mu's opera image is further expounded.
【学位授予单位】：河南大学
【学位级别】：硕士
【学位授予年份】：2010
【分类号】：J822

【引证文献】