戏曲文化精神的再认识——对当前戏曲研究部分观点的反思

发布时间：2018-04-21 00:28

本文选题：戏曲的文化价值 + 戏曲的艺术精神　；参考：《戏曲艺术》2015年02期

【摘要】：现当代以来,戏曲艺术的发展与变化受到太多因素的影响,尤其是受西方各种戏剧样式和西方艺术审美观念的冲击,加之受到商品经济、流行文化与消费文化的影响,戏曲追赶潮流的脚步变得凌乱无序,积淀了深厚中国文化精神与艺术精神的戏曲在当下由于不自省、不自信,渐失个性,也柔弱了艺术生命力。探讨戏曲的核心价值及其艺术生命力的内在源泉,阐述戏曲只有首先在理性地、清晰地认识自己的文化精神和艺术特征的前提下,在深根固蒂的前提下,在充分强化个性优势的前提下,方可再谈与时俱进、中西交流。
[Abstract]:Since the present and contemporary times, the development and change of opera art have been influenced by too many factors, especially by all kinds of western drama styles and aesthetic concepts of western art, together with the influence of commodity economy, popular culture and consumption culture. The pace of catching up with the trend of drama has become disorderly, and the drama, which has accumulated profound Chinese cultural spirit and artistic spirit, has lost its individuality and weakened its artistic vitality because of its lack of introspection, self-confidence, gradual loss of individuality and weakness of its artistic vitality. This paper probes into the core value of opera and the inner source of its artistic vitality, and expounds that drama can only be based on the premise of rational and clear understanding of its own cultural spirit and artistic characteristics, and on the premise of being deeply rooted. Under the premise of fully strengthening individual advantage, we can talk about keeping pace with the times and communicating with China and the West.
【作者单位】：中国戏曲学院;

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