具身的信任——论洛克特尼茨的《相信表演:认知视野中的戏剧具身》

发布时间：2018-04-22 06:40

本文选题：具身 + 信任　；参考：《文化艺术研究》2017年03期

【摘要】：《相信表演:认知视野中的戏剧具身》是洛克特尼茨将认知科学运用于戏剧研究的新成果。她认为,理性往往导致怀疑,而通过具身的直觉和领悟容易建立起信任。她还指出,戏剧表演和欣赏需要借助身体,虽然常常涉及离奇的情节,但容易建立起信任感。她列举了四部典型的戏剧展开讨论:莎士比亚以《冬天的故事》对抗怀疑主义,斯托帕德用《滑稽模仿》挑战相对主义,韦坦贝克把《为了我们的家园》作为对付冷漠和不信任的手段,考夫曼将《33个变奏》视为超越死亡之绝望的杰作。
[Abstract]:Believe in performance: the body of Drama in Cognitive Vision. This is a new achievement of Rockotniz's application of cognitive science to the study of drama. She believes that reason often leads to doubt, and trust is easily built through physical intuition and understanding. She also points out that theatrical performances and appreciation require the help of the body, although often involving strange plot, but easy to build a sense of trust. She lists four classic plays for discussion: Shakespeare's "Winter's Story" against skepticism, and Stoppard challenges relativism with "comical imitation". Vetanbeck regards "for our Home" as a means of dealing with indifference and distrust, and Kaufman regards < 33 variations] as a masterpiece of despair beyond death.
【作者单位】：浙江大学外国语言文化与国际交流学院;
【分类号】：J812-5

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