“明代四大声腔”说的源流及其学术史检讨

发布时间：2018-04-22 10:16

  本文选题：四大声腔 + 剧种　； 参考：《戏曲艺术》2017年03期

【摘要】：弋阳腔、余姚腔、海盐腔和昆山腔被称为"明代四大声腔",明代亦有此四大"剧种",这是上世纪50年代以后流行的基本观念。揆诸史实可以发现:明人最初仅以"腔"来区分"唱派",而非区分戏剧类别,更未有以此四者为"四大"的观念。清代以降,戏剧发展面貌渐趋繁复,"腔"也逐渐成为"剧类"区分的权宜之计。新中国成立后"声腔剧种论"则对此权宜之计进行了体系化的阐释,在理论上使得"唱腔"成为划分戏剧种类的标准,"明代四大剧种"之说也随之成型。
[Abstract]:Yiyang, Yuyao, Haiyan and Kunshan are called "the four major vocals of the Ming Dynasty", and there were four "operas" in the Ming Dynasty, which were the basic concepts popular after the 1950s. According to the historical facts of Coyett, people of Ming Dynasty used only "cavity" to distinguish "singing school" from "singing school", not the category of drama, and there was no idea that the four people were "four great". In Qing Dynasty, the development of drama became more and more complicated. After the founding of the people's Republic of China, a systematic explanation of this expedient measure was carried out, which made singing become the standard for the classification of drama, and the theory of "four kinds of drama in the Ming Dynasty" came into being.
【作者单位】： 北京教育学院;
【分类号】：J809.2
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本文编号：1786775