戏曲舞台要找回审美自信——观梨园戏《御碑亭》有感

发布时间：2018-04-22 22:07

  本文选题：御碑亭 + 戏曲舞台　； 参考：《福建艺术》2016年01期

【摘要】：正历时二十多天的第26届福建省戏剧会演闭幕了,回想起来,在34台参演剧目中,最让我兴奋的还是梨园戏《御碑亭》,其以古老剧种的传统艺术形式演绎充满现代意识的创新之作,实乃罕见。梨园戏《御碑亭》讲述的是明代书生王有道进京赶考,妻子孟月华外出扫墓返家途中遇雨,避于御碑亭。恰逢秀才柳生春也避于亭中,一夜过去,两人无语,雨止各自离去。王有道归家得知此事,疑心骤起欲休
[Abstract]:The 26th Fujian drama show, which lasted more than 20 days, ended. In retrospect, in 34 theatrical programs, What excites me most is the imperial tablet pavilion, which is a rare creation of modern consciousness in the traditional art form of ancient dramas. Li Yuan drama "Royal tablet Pavilion" is about the Ming Dynasty scholar king youdao came to Beijing to catch up with the examination, his wife Meng Yuehua went out to visit the tomb and came home in the rain, avoiding in the Royal tablet Pavilion. Liu Shengchun coincided with the pavilion, the night passed, the two silent, rain left. When Wang youdao came home to learn of the matter, he became suspicious and wanted to rest.
【作者单位】： 福建省艺术研究院;
【分类号】：J825

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