中国话剧的民族特色与诗化精神

发布时间：2018-04-29 00:35

本文选题：民族特色 + 诗化精神　；参考：《哈尔滨师范大学》2012年硕士论文

【摘要】：20世纪初，一种全新的戏剧艺术形式——“话剧”，走进了中国这一有着悠久文化传统和深厚历史积淀的“戏曲之邦”，开始了现代戏剧在古老中国艰难跋涉的路程。话剧作为异域新种，如何使其中国化，使其更具有中国民族性的特征，是中国现代话剧一路走来始终沉思的问题。一个国家、民族，其艺术成熟的标志就是艺术民族化，这也是其艺术美的一个非常重要的因素。中国的话剧起源是从外国移植过来，在它诞生后就给自己确定了一个民族化的追求目标。中国话剧在对外国话剧的批判继承的基础上不断发展，逐渐形成自己的民族化特色。做中国人的话剧。 20世纪20年代，，以赵太侔、余上沅为代表的青年戏剧家，立足本国的戏剧传统，“世界的眼光”，开始思考中国戏剧的未来发展道路。并倡导发起了“国剧运动”。是深受爱尔兰文艺复兴运动所启发。他们认为只有描写中华民族生活、民族性格具有中华民族色彩戏剧，只有这样的戏剧才能唤起民族感情，并最终达到民族的独立。在“文明戏”阶段，中国话剧受中国传统戏曲的深刻影响，但此时领会了西方“用情之痴、用心之苦”的特色，表现出了中国话剧最初的诗化征兆。诗化现实主义，是中国人几千年来诗性智慧的传承与西方戏剧的结合。这种特征是中国话剧的美学特征。中国话剧的诗化特色，更注重人的情感的真诚，有着浓重的浪漫主义因素。同时又闪烁着时代现实的亮色。在文化大革命之后，中国的话剧创作进入了一个非常激情的年代，话剧开始进行了一场声势浩大的革命。剧作家们的创作非常活跃，并对话剧的表演、舞美、理论等方面进行了全方位的深入探讨与研究。80年代，创作了一大批具有崭新面貌的话剧。从话剧的内容到其表现形式，从戏剧理念到艺术风格，从舞台形式到演员与观众的互动方面都进行了多途径的实践。
[Abstract]:At the beginning of the 20th century, a new form of dramatic art, "Modern Drama", entered China, a country with a long cultural tradition and a profound historical accumulation, and began the arduous journey of modern drama in ancient China. As a new kind of drama, how to make it Chinese and make it have the characteristics of Chinese nationality is a question that Chinese modern drama has been pondering all the way. The sign of art maturity of a country and a nation is the nationalization of art, which is also a very important factor in its artistic beauty. The origin of Chinese drama was transplanted from foreign countries, and after its birth, it set itself a goal of nationalization. On the basis of the criticism and inheritance of foreign drama, Chinese drama has gradually formed its own nationalization characteristics. Do Chinese drama. In the 1920s, the young dramatists, represented by Zhao Taimou and Yu Shangyuan, began to think about the future development of Chinese drama based on their country's drama tradition and "the vision of the world". And initiated the launch of the "National Opera Movement." It was inspired by the Irish Renaissance. They think that only by describing the life of the Chinese nation, and the national character has the Chinese color drama, only such drama can arouse the national feelings, and finally achieve national independence. In the stage of "Civilization Drama", Chinese modern drama was deeply influenced by Chinese traditional opera, but at this time, it grasped the western characteristics of "using emotion and suffering with heart", which showed the initial poetic omen of Chinese modern drama. Poetic realism is the combination of Chinese poetic wisdom and western drama for thousands of years. This kind of characteristic is the aesthetic characteristic of Chinese modern drama. The poetic features of Chinese drama, more attention to the sincerity of human feelings, has a strong romantic factor. At the same time, it flashes with the bright colors of the reality of the times. After the Cultural Revolution, Chinese drama creation entered a very passionate era, the drama began to carry on a huge revolution. Playwrights are very active in their creation, and the performance of drama, dance beauty, theory and other aspects of in-depth exploration and research in the 1980s, created a large number of new features of the drama. From the content of drama to its form of expression, from the concept of drama to artistic style, from the form of stage to the interaction between actors and the audience, there are many ways of practice.
【学位授予单位】：哈尔滨师范大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：J824

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