京剧花脸老戏《沙陀国》本源特色探析

发布时间：2018-04-29 01:17

本文选题：《沙陀国》 + 花脸　；参考：《戏曲艺术》2015年04期

【摘要】：京剧《沙陀国》之本出于史书、演绎中唐末李克用的形象。《沙陀国》之源为花脸老戏,谭鑫培先生将其改成老生应工的《珠帘寨》,亦富特色,流传颇广。全剧允文允武,主要人物李克用形象立体、耸拔。《沙陀国》难点在花脸功法的特色要求以及其特色所"生发"的处理——如西皮声腔贯盈繁复、玩笑元素、铜锤开打等。《沙陀国》体现出京剧"文"、"艺"彼此融汇的特点。《沙陀国》复排意义在于"继旧开新"的实践,以及不同行当演绎相同题材的深刻内涵。
[Abstract]:The origin of the Peking Opera Shatuo State is historical books, deducing the image of Li Keyong in the late Tang Dynasty. The source of Shatuo State is the old drama with a flower face. Mr. Tan Xinpei changed it into the Pearl Curtain, which is also characterized and widely spread. The main character, Li Keguo, is three-dimensional and towering. The difficulty lies in the characteristic requirements of the facelift technique and the treatment of "hair generation" by its distinctive features, such as the rich and complicated voice of the Western skin and the element of joke. "Shatuo State" embodies the characteristics of the fusion of "Wen" and "Art" in Peking Opera. The significance of "rearranging" lies in the practice of "opening new after the old" and the profound connotation of the same subject in different trades.
【作者单位】：北京京剧院;中国戏曲学院京剧系;
【分类号】：J821

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