莫扎特歌剧的艺术风格及经典唱段的演唱探究

发布时间：2018-05-05 20:46

本文选题：莫扎特 + 歌剧　；参考：《湖南师范大学》2010年硕士论文

【摘要】： 莫扎特(1756—1791)是奥地利伟大的作曲家,是欧洲音乐发展史上承前启后的重要人物。莫扎特年仅35岁就逝世了,而在他短暂的一生中共创作了600多部作品,数目令人震惊。而且他的作品涉猎的体裁极为广泛,几乎涵盖了当时欧洲音乐的所有体裁,其中包括歌剧、交响乐、协奏曲、奏鸣曲、室内乐、宗教等。在众多的体裁中,歌剧是莫扎特音乐创作的最爱,一生共创作了二十余部。作为一位歌剧作曲家,他所创作的歌剧作品无论在数量上还是在质量上都很少有人能够超越。其歌剧中的宣叙调、咏叹调、重唱曲不仅是声乐艺术不可多得的瑰宝,也是声乐学习和教学中不可或缺的素材。这些经典唱段能够使演唱者养成良好的发声习惯,不去过度的用声,使声音得到一种非常严格和规范的训练。并且他所创作的这些唱段极富歌唱性和角色性,能够把细腻而多变的音乐表情淋漓尽致地表现出来。因此,当今无论是在重大的音乐会还是歌唱比赛中,甚至于在所有普通高等音乐院校学生的学习中,他的作品都是屡见不鲜的。本文试图结合相关的理论知识,从历史、社会以及人的因素上捕捉莫扎特艺术风格是如何形成的；通过对其具有代表性的歌剧中的序曲、咏叹调、重唱、人物性格、歌剧形式、精神内涵等多个方面去归纳其艺术风格；并结合自己演唱及教学的实践,通过分析几首著名的咏叹调和重唱曲来探究歌唱者在演唱过程中如何把握莫扎特作品的艺术风格以及相应的演唱要点。文章最后总结出,在演唱莫扎特的歌剧作品时应注意以下三点：第一,要注意整体风格的把握。第二,要注意角色的演绎。第三,也是特别强调的一点就是对音乐本身的理解和把握。演唱者应该以作曲者所创作的音乐为基点,既要尊重作曲家的创作初衷,又要富有自我创新的精神,使古典与现代相融合,传统技巧和现代思维相统一,只有这样才能完美演绎歌剧中的人物,唱出属于自己的风格。
[Abstract]:Mozart 1756-1791) is a great Austrian composer and an important figure in the history of European music. Mozart died at the age of 35, and in his short life he wrote more than 600 works, an alarming number. Moreover, his works cover almost all the genres of European music, including operas, symphonies, concertos, sonatas, chamber music, religion and so on. Among many genres, opera is Mozart's favorite musical creation, with more than 20 works in his life. As an opera composer, few operas can be surpassed in quantity or quality. The narration, aria and recital in his opera are not only the rare treasures of vocal music art, but also the indispensable materials for vocal music learning and teaching. These canals can make singers develop good vocal habits, avoid excessive use of sound, and make sound get a very strict and standardized training. Moreover, his compositions are full of singing and character, which can show the exquisite and changeable music expression vividly and vividly. Therefore, his works are common both in major concerts and singing competitions, and even in the study of music college students. This paper attempts to capture how Mozart's artistic style is formed in terms of historical, social and human factors in combination with relevant theoretical knowledge, by analyzing the prelude, arias, recitals, characters, and opera forms in its representative operas. Spiritual connotation and other aspects to sum up its artistic style, and combined with their own singing and teaching practice, Through the analysis of several famous arias and recitals, this paper explores how to grasp the artistic style of Mozart's works and the corresponding key points in the process of singing. In the end, we should pay attention to the following three points when singing Mozart's opera works: first, we should pay attention to the grasp of the whole style. Second, attention should be paid to the interpretation of the role. Third, it is also a special emphasis on the understanding and grasp of the music itself. The singer should be based on the music composed by the composer. He should not only respect the composer's original intention, but also be full of the spirit of self-innovation, so that classical and modern times can be integrated, and traditional skills and modern thinking should be unified. Only in this way can the characters in the opera be interpreted perfectly and their own style be sung.
【学位授予单位】：湖南师范大学
【学位级别】：硕士
【学位授予年份】：2010
【分类号】：J832

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