戏剧评论:包租与自由的错落

发布时间：2018-05-19 06:16

本文选题：戏剧评论 + 戏剧创作　；参考：《戏剧文学》2015年09期

【摘要】：正戏剧评论长期失语是一个不争的事实。而再一次被提将起来,并逐渐发酵成一场关乎戏剧评论及戏剧创作本真的讨论,是隐身剧评人的评论影响力由网络照进了现实。在多屏新阅读时代,网络节点间的信息交汇更迅捷快速。隐身剧评人以自媒体(主要是微博、微信)为平台,就看过的戏作出评论,为自己的文字负责,一番不辍耕耘后,建构起了自己的话语平台。这里的隐身,不是一般意义上的网络匿名。网络的虚拟特性在当下戏剧创作的大环境下似乎不足以
[Abstract]:It is an indisputable fact that there is a long-term aphasia in the critical drama. Once again, it has been put up and gradually developed into a discussion about the nature of drama criticism and drama creation, which is that the influence of the commentary of the invisible drama critics is reflected in the reality of the Internet. In the era of multi-screen new reading, the information intersection between network nodes is faster and faster. On the platform of self-media (mainly Weibo WeChat), the reviewers of stealth drama comment on the plays they have seen, and take responsibility for their own words, and construct their own discourse platform after unceasing efforts. The stealth here, is not the network anonymity in the general sense. The virtual nature of the web does not seem sufficient in the present context of drama creation
【作者单位】：辽宁省艺术研究所;
【分类号】：J805

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