试论中国歌剧的民族性特征与未来发展优势

发布时间：2018-05-26 03:31

本文选题：中国歌剧 + 民族性特征　；参考：《东北师范大学》2011年硕士论文

【摘要】：中国歌剧有着比其他艺术形式更加崎岖坎坷的发展道路,从其产生之初至今的大半个世纪以来,除了迎来两次短暂的辉煌之外,始终是磕磕绊绊,温文不火。随着社会政治经济的飞速发展,物质条件、生活水平的不断提高,人民对文化品味追求的提升也将是一个必然趋势。所以说,中国的歌剧艺术也进入了一个急需跳跃和创新发展的阶段。在这个关键的时期,总结中国歌剧的发展规律,研究中国歌剧民族属性和民族特征更是意义深远。音乐工作者有责任、有义务继承和发扬历史积累下来的宝贵经验,将以往的成果进行总结加工,以实现让中国歌剧登上更高舞台、早日迎来新高潮的完美愿望。这也正是本文研究的意义所在。本文共分为三个主要部分。作者主要从中国歌剧产生的时代背景论起,用主要代表性作品举例陈述了中国歌剧发展的历史轨迹,分析出由于创作理念、大众审美取向、市场营销维系等各方面局限所导致的中国歌剧不甚理想的生存现状。在本文的第三章,作者着重阐述中国歌剧的民族性特征,包括以民族歌唱的戏剧表演、民族心理的个性体现和民族文化的艺术传承等三方面为框架的民族属性和创作契合性、演唱本土化、题材女性与历史性为典型民族性特征的具体体现,从而引出第四章对中国歌剧的未来发展优势的思考。即:中西歌剧创作理念的契合优势、民族多元艺术文化的整合优势和大众审美的歌剧市场培育优势。提出了让歌剧进校园、进社区等具体畅想。最后,论文对中国歌剧民族性和世界性之间的关系进行了简要论述,为中国歌剧的发展方向提出了建议。事实上,在世界艺术的大舞台上,保持民族性才有意义,如果艺术的民族性无从体现,那么艺术的世界性也将不复存在。
[Abstract]:Chinese opera has a more rugged and bumpy way of development than other art forms. In the half century since its birth, it has been stumbling and gentle in addition to two brief glories. With the rapid development of social politics and economy, the improvement of material condition and living standard, the promotion of people's cultural taste will be an inevitable trend. Therefore, Chinese opera art has also entered a stage of jump and innovation. In this crucial period, it is of great significance to summarize the development law of Chinese opera and to study the national attributes and characteristics of Chinese opera. Music workers have the responsibility and duty to inherit and carry forward the valuable experience accumulated from history, sum up and process the past achievements, so as to realize the perfect desire to let Chinese opera climb onto a higher stage and usher in a new climax at an early date. This is also the significance of this study. This paper is divided into three main parts. Starting from the background of Chinese opera, the author illustrates the historical track of the development of Chinese opera with an example of his main representative works, and analyzes the aesthetic orientation of the masses due to his creative ideas. The existence of Chinese opera is not ideal due to the limitation of marketing maintenance and other aspects. In the third chapter of this paper, the author focuses on the national characteristics of Chinese opera, including the national attributes and creative compatibility, which are framed by the drama performance of national singing, the individual embodiment of national psychology and the artistic inheritance of national culture. The localization of singing, the theme of women and history as the specific embodiment of the typical national characteristics, leading to the fourth chapter of the future development of Chinese opera thinking. That is, the combination advantage of Chinese and western opera creation idea, the integration advantage of national pluralistic art culture and the cultivation advantage of popular aesthetic opera market. Put forward to let the opera into the campus, into the community and other specific imagination. Finally, the paper briefly discusses the relationship between the nationality of Chinese opera and the world, and puts forward some suggestions for the development of Chinese opera. In fact, in the big stage of the world art, it is meaningful to keep the nationality, if the national character of the art can not be reflected, then the world of art will no longer exist.
【学位授予单位】：东北师范大学
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：J822

【引证文献】