京剧武戏中“档子”的艺术特征及教学要点

发布时间：2018-05-26 13:43

  本文选题：档子 + 京剧武戏　； 参考：《戏曲艺术》2017年02期

【摘要】："档子"是把纷乱的武戏打斗场景规范为一体,形成井然有序、张弛有度的一种观赏内容。给观众呈现了一波强过一波的打斗过程,剧中的反面人物被不断地清除、扫荡,观众也获得眼花缭乱、目不暇接的武戏欣赏快感。京剧舞台上的档子有很多类型,例如"开门炮""三见面""四股档""攒""蹲档子"等。"档子"的艺术安排,要求结构清楚,绝非胡编乱打热闹一番完事。要求打得合情入理,有层次,有章法,有目的,有规律。
[Abstract]:"Grade" is a kind of ornamental content which combines the chaos of fighting scenes of martial arts into an orderly and Zhang Chi. To the audience presented a wave of more than a wave of fighting, the play's negative characters are constantly purged, swept, the audience also get dazzling, dizzying martial arts appreciation of pleasure. There are many types of stalls on the stage of Beijing Opera, such as "opening door," three meet, "four stocks," saving, "squatting," and so on. " The artistic arrangement of the "stalls" requires a clear structure, not a hilarious arrangement. Request to play reasonable, hierarchical, organized, purposeful, regular.
【作者单位】： 中国戏曲学院表演系;
【分类号】：J821.2-4
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本文编号：1937440