论当代小品艺术文化身份的复杂性

发布时间：2018-05-26 15:48

本文选题：小品 + 文化身份　；参考：《山东师范大学》2011年硕士论文

【摘要】：文化身份是指某一艺术类型的创作倾向或表现内容属于某一社会群体或阶层,并反映该群体或阶层的审美趣味、价值追求、社会理想和利益诉求。当代喜剧小品由于受到文化多元化以及大众审美心理需求复杂化等因素的影响,表现出了文化身份的复杂性。“当代”在历史维度通常是指从一九四九年至今这一历史阶段,但本文是从喜剧小品发展的艺术维度来进行研究,笔者在这里所界定的“当代”是指以改革开放(特别是喜剧小品被搬上央视春节晚会)为界线,一直持续到今天的这一历史阶段。本文就是要探讨这一时期喜剧小品文化身份的复杂性问题。本文尝试在当代文化多元化的时代背景下,以喜剧小品近三十年的发展情况为线索,以历年的喜剧小品(以中央电视台历届春节晚会中的小品为主)及其体现的文化身份的复杂性为研究对象。从喜剧小品文化身份复杂性出现的原因、喜剧小品文化身份复杂性的艺术表现、喜剧小品文化身份复杂性对艺术的消极影响以及喜剧小品的未来发展及其建议等四个方面进行具体研究。本文在导言中主要分析了文化身份的内涵以及喜剧小品文化身份问题研究的必要性。第一章着重阐述了喜剧小品文化身份复杂性出现的原因。在当代出现了多元文化融合的趋势,喜剧小品在它的影响下表现出了文化身份的复杂性。本章从当代中国文化格局的多元化、大众审美心理需求的复杂化、小品艺术生产中的多重制约等三个方面来探讨喜剧小品文化身份复杂性的成因。第二章着重论述喜剧小品文化身份复杂性的艺术表现,这一部分也是本文的主要部分。主要从喜剧小品的主题思想的多元性、观看视角的游移性、小品审美效果的多样性等几个角度论述小品文化身份复杂性的具体艺术表现。第三章主要论述文化身份复杂性对小品艺术的消极影响。多元文化对喜剧小品的关注,使得小品从思想内涵、艺术形式、表现手法等方面都呈现出前所未有的丰富性,使它的娱乐性和思想性也得到了很大提升。但与此同时也对喜剧小品的发展产生了诸多不良影响。本章主要从形象的模糊、话语的混杂、叙事的断裂等几个方面来阐述文化身份多元化对小品艺术的消极影响。第四章主要针对多元文化身份对喜剧小品的消极影响,来探讨小品艺术未来的发展途径和方向,提出几点浅薄的建议。主要尝试从小品创作人才的培养、转换小品的演出舞台、优化小品创作环境以及小品创作要贴近生活、反映真实的生活等方面给出了小品未来发展的几点建议。本文在前人对当代喜剧小品研究的基础上,借鉴他们的研究成果,把研究继续向前推进。在当代多元文化背景下重新审视喜剧小品,从文化身份的复杂性角度来探讨其对小品创作和演出的各种影响。特别是针对多元文化身份对小品的消极影响,笔者提出了几点不成熟的建议,希望能有助于小品创作者和表演者,不断开拓思路,扬长避短,促进当代喜剧小品健康发展。
[Abstract]:Cultural identity refers to the creation tendency or expression content of an artistic type belongs to a certain social group or stratum , and reflects the aesthetic taste , value pursuit , social ideals and interests demands of the group or stratum .

In this paper , the author tries to study the complexity of the cultural identity of comedy sketch , the artistic expression of the complexity of the cultural identity of comedy , the negative influence of the complexity of the cultural identity of comedy and the future development of comedy sketch , and the future development of comedy sketch .

In the introduction , this paper mainly analyzes the connotation of cultural identity and the necessity of the research on the cultural identity of comedy . The first chapter focuses on the reasons of the complexity of the cultural identity of comedy sketch .

The second chapter focuses on the artistic expression of the cultural identity complexity of comedy sketch . This part is also the main part of this paper .

The third chapter mainly discusses the negative influence of cultural identity complexity on the art of comedy .

The fourth chapter mainly focuses on the negative influence of multi - cultural identity on comedy sketch , discusses the future development way and direction of the small - product art , and puts forward some shallow suggestions . It mainly tries to give some suggestions on the future development of the small products from the aspects of the cultivation of small - product creative talents , the performance stage of converting the small products , the optimization of the small - product creation environment and the close life of the small - product creation , reflecting the real life and so on .

On the basis of the study of contemporary comedy sketch , this paper tries to forward the research on the basis of the research of contemporary comedy sketch . In the background of multi - cultural background , we re - examine comedy sketch , discuss its influence on the creation and performance of small products from the complexity of cultural identity . Especially , it puts forward some immature proposals , hoping to help the writers and performers of small products , develop ideas , and promote the development of contemporary comedy sketch .
【学位授予单位】：山东师范大学
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：J827

【参考文献】