亨德尔清唱剧《参孙》中达利拉的人物形象和唱段分析

发布时间：2018-05-28 03:46

本文选题：清唱剧 + 巴洛克时期　；参考：《上海音乐学院》2011年硕士论文

【摘要】：继卡里西米和许茨以后,整个巴洛克时期最杰出的清唱剧大师当数亨德尔。在他一生近60年的音乐生涯中,创作过清唱剧二十余部,用英语演唱清唱剧就是他首创的,因此要研究清唱剧便跳不过亨德尔。虽然说《弥赛亚》是亨德尔清唱剧中最出名的一部,但《参孙》则是他本人最喜爱的一部。国内目前关于亨德尔清唱剧的研究大都集中在《弥赛亚》上,但除此之外,少之又少。本文首先对清唱剧在巴洛克时期的发展作了简单梳理,介绍了曲作家亨德尔的成长历程,脚本作家弥尔顿的创作经历,并从内外两方面来对亨德尔清唱剧在英国应运而生的原因进行了研究,并重点分析了《参孙》这部清唱剧的脚本和主题思想。一直以来,“大利拉”给世人的印象便是背叛丈夫,贪图富贵,残忍恶毒的女人,本文从一个新的角度剖析了“大利拉”这一角色的人物形象,通过分析谱例并结合自身演唱,总结了演唱巴洛克时期作品的若干建议。
[Abstract]:After Kalisemi and Schutz, the most outstanding oratorio master of the whole Baroque period was Handel. In his nearly 60 years of music career, he has written more than 20 oratoriums, and he started singing oratoriums in English. Although Messiah is one of the most famous of Handel's oratorios, Samson is his favorite. At present, most of the researches on Handel oratorio are focused on Messiah, but in addition, very few. In this paper, the development of oratorio in the Baroque period is briefly combed, introducing the growing process of the songwriter Handel and the writing experience of script writer Milton. This paper studies the reasons why Handel oratorio came into being in England from internal and external aspects, and analyzes the script and theme of the oratorio "Samson". For a long time, the impression of "Delilah" is to betray her husband, to be rich and rich, to be cruel and vicious. This paper analyzes the character image of "Delilah" from a new angle. This paper summarizes some suggestions for singing Baroque's works.
【学位授予单位】：上海音乐学院
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：J832

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