豫剧二本腔唱法改革的设想与原则

发布时间：2018-05-30 01:01

本文选题：假声分腔 + 共鸣　；参考：《戏曲艺术》2014年02期

【摘要】：历史的缘故形成豫剧传统戏二本腔与女声同腔同调演唱。由于性别的不同,在演唱时男女声自然音区是相差四、五度的关系。改革后的二本腔旋律应回归到男性自然最佳音域范围,同时,借鉴京剧实行科学的男女分腔。由于男女分腔后调式旋律的改变,必然会带来演唱方法的变革。我们设想改革后的二本腔运用真声和真假声结合的发声机能,利用发"龙音"、"堂音"、"虎音"的共鸣位置,唱出既高亢激越明亮,又具有统一真声色彩、充满男性阳刚之气的声音效果。然而,一个剧种行当的声腔改革并非是一蹴而就之事,它牵扯的因素复杂多样,要把这些设想变为现实,需要在改革实践中把握着以下几点创新原则,即:符合客观规律原则;纵向继承横向借鉴原则;尊重观众引导观众原则。
[Abstract]:The reason of history is that the traditional opera of Henan opera is singing in the same tune as the female voice. Because of the difference of sex, the natural sound area of male and female is four or five degrees different in singing. After the reform, the melody of the two songs should return to the range of the male's natural optimum range, at the same time, learn from the Beijing Opera to implement the scientific male and female division. Because of the change of the melody after the male and female division, it will inevitably bring about the change of singing method. We envision that after the reform of the second chamber, the vocal function of the combination of true sound and false sound is used, and the resonant positions of "dragon sound", "Tang sound" and "tiger sound" are used to sing out that the singing is both loud and bright and has a unified true sound color. The sound effect of masculine masculinity. However, the vocal reform of a drama is not accomplished overnight, it involves a variety of complex factors, in order to turn these ideas into reality, we need to grasp the following innovative principles in the reform practice, that is, accord with the principle of objective law; Longitudinal inheritance of horizontal reference principle; respect for audience guiding the principle of audience.
【作者单位】：河南艺术职业学院;
【基金】：河南省软科学研究计划项目《改革豫剧二本腔与戏曲教育模式创新》阶段性成果,项目编号:142400410430
【分类号】：J617.5

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