民国时期的汉剧票友与“玩票”

发布时间：2018-05-30 01:17

  本文选题：民国 + 汉剧　； 参考：《湖北大学学报(哲学社会科学版)》2016年02期

【摘要】：汉剧兴起于清代,民国时达于繁盛。推动汉剧繁荣的不仅是汉剧的艺人们,还有十分活跃的汉剧票友及其玩票活动。玩票需要金钱与时间投入,故票友均有钱有闲。票友在玩票中同声相求,自然形成自己的组织,即票社。汉剧票友在票社内切磋技艺,在舞台上自娱自乐,并且积极参加义演等社会活动,服务于社会,弘扬汉剧,从而构成武汉近代市民生活的面相之一。
[Abstract]:Han opera rose in the Qing Dynasty and flourished in the Republic of China. It is not only the entertainers who promote the prosperity of the Han opera, but also the very active ticket friends and their play activities. Play ticket need money and time investment, so ticket friends have money have leisure. Ticket friends in the play in the same voice, naturally formed their own organization, that is, the voting agency. The ticket friends of the Han opera discussed their skills in the ticket club, amused themselves on the stage, and took an active part in the social activities, such as charity performances, to serve the society and carry forward the Han opera, thus constituting one of the faces of the modern life of the citizens of Wuhan.
【作者单位】： 湖北大学历史文化学院;
【分类号】：J809.2
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本文编号：1953264