试论沪剧现实主义创作传统

发布时间：2018-06-03 15:46

本文选题：沪剧 + 现实主义　；参考：《上海戏剧学院》2009年硕士论文

【摘要】： 中国的戏曲剧种有数百种,沪剧这个仅有百年历史的年轻剧种,从民间说唱开始,经历了“花鼓戏”、“本滩”、“申曲”等阶段,最终定格在“沪剧”,它之所以能在剧种间的竞争中生存下来,并成为上海的文化名片,一定有它的独特之处。笔者以为,归根到底,它的成功与它选择了现实主义的创作方法有着十分重要的关系。无论从剧本创作、舞台呈现,沪剧都运用到了现实主义的创作方法,并创作了大量优秀的现实主义作品。本文以“现实主义”为切入点,通过对沪剧形成与发展的历史梳理,以及对剧目个案的详细分析,结合现实主义美学原理,研究沪剧与现实主义的密切关系,分析其现实主义创作传统的形成原因,并探讨如何让沪剧在今后的创作过程中更好地继承、发展现实主义的创作方法。
[Abstract]:There are hundreds of kinds of opera operas in China. Shanghai Opera, a young drama with a history of only one hundred years, has gone through the stages of "Flower Drum Drama", "Bentan", "Shen qu" and so on, beginning with folk rap. Finally, it was settled in "Shanghai Opera." The reason why it can survive in the competition between plays, and become the cultural card of Shanghai, must have its unique place. The author thinks that, in the final analysis, its success has a very important relationship with its choice of realistic creative methods. No matter from the script creation, the stage presentation, Shanghai opera has applied the realistic creation method, and has created a large number of outstanding realism works. This article takes "realism" as the breakthrough point, through combing the history of the formation and development of Shanghai opera, as well as the detailed analysis of the repertoire case, combining the realism esthetics principle, studies the close relation between Shanghai drama and realism. This paper analyzes on the reasons for the formation of his realistic creative tradition, and probes into how to better inherit and develop the realistic creative methods in the future creation process of Shanghai Opera.
【学位授予单位】：上海戏剧学院
【学位级别】：硕士
【学位授予年份】：2009
【分类号】：J825

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