从中国戏曲假定性看布莱希特“间离化效果”

发布时间：2018-06-12 15:25

本文选题：布莱希特 + 间离化效果　；参考：《吉林艺术学院》2011年硕士论文

【摘要】：布莱希特作为德国剧作家、戏剧理论家,较多的受到了中国戏曲表演艺术的影响。他独创了非亚里士多德戏剧。在他看来,“间离化效果”的这一理论与中国戏曲表现形式中有很多相通之处。但是针对中西方文化差异以及社会背景的影响,“间离化效果”在其作品中的实践并不完全和中国戏曲中的实践相同,尽管他对中国戏曲艺术有重要的吸收和借鉴,但对中国戏曲艺术的解读仍带有西方文化的鲜明印记。“间离化效果”在理论上对演员和观众都提出了一定的要求,但是,在舞台实践上要演员做到绝对的“间离”,完全反对演员和观众与剧中人产生共鸣是很难与理论要求达到统一的。“陌生化效果”在理论意义和实践过程以及实际效果这三者之间实际上是有着他的矛盾性。
[Abstract]:As a German playwright and drama theorist, Brecht was influenced by Chinese opera performing arts. He created non-Aristotle plays. In his opinion, the theory of "the effect of dissociation" has much in common with the form of Chinese opera. However, in view of the cultural differences between China and the West and the influence of social background, the practice of "the effect of alienation" in his works is not exactly the same as the practice in Chinese opera, although he has important absorption and reference to the art of Chinese opera. However, the interpretation of Chinese opera is still marked by western culture. The theory of "the effect of interionization" puts forward certain requirements for both actors and audience. However, in stage practice, the actors should be absolutely "separated". It is difficult to agree with the theory that the actors and the audience resonate with the people in the play. The "defamiliarization effect" actually has its contradiction between the theoretical meaning, the practical process and the practical effect.
【学位授予单位】：吉林艺术学院
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：J805

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