河南省邓州、汝南两地的罗卷戏研究

发布时间：2018-06-12 18:09

本文选题：罗戏 + 卷戏　；参考：《西安音乐学院》2010年硕士论文

【摘要】： 罗戏与卷戏系河南省传统剧种,被誉为“百戏之祖”的罗戏在中原生存发展已有300多年历史,曾在豫北的滑县、豫中的通许以及豫南的大部分县市留有遗存。卷戏是驻马店汝南县土生土长的民间小戏,后与流入此地的罗戏合台演出,并以“罗卷戏”称之。追溯罗卷戏的历史,最早可见于清乾隆年间李禄园小说《歧路灯》中的“梆罗卷”。这一说法证明了罗戏与卷戏的产生时期应为明末清初。在罗卷戏众多的繁衍地中,汝南和邓州因具备正统的演唱风格和良好的发展态势,已成功入选省级“非遗”。但随着历史的推进,罗卷戏的表演形态已无法适应现代化社会的进程,故被纳入“河南濒灭剧种”行列。且罗卷戏在学界长期受到忽视,关注度较少,涉及面较浅,因此更具有研究价值与挖掘潜力。本文分为四个章节,第一章罗戏与第二章卷戏将从历史渊源、音乐形态及表演形态三方面进行说明,第三章运用文化人类学知识分析罗卷“合流”的文化成因及“合流”后的音乐形态,第四章介绍邓州、汝南两地罗卷戏生存发展状况及传承保护措施。笔者自2008年开始三次前往邓州和汝南进行实地调察,访问了两地罗卷戏老艺人和文化局研究人员,了解到罗卷戏的历史发展情况并获得一手资料。在田野考察与资料研读的基础上,笔者已对罗戏、卷戏、罗卷戏概念的界定、罗戏与卷戏的来源辨析、罗卷“合流”的文化形态、音乐形态分析以及罗卷戏在汝南、邓州两地传承上的共性与特性进行了论述与阐释。并结合文化人类学、民俗学、社会学等相关学科知识提升论文知识构架,丰富理论研究成果。
[Abstract]:Luo Opera and Scroll Opera are traditional operas in Henan Province. Luo Opera, known as "the ancestor of hundred operas", has lived and developed in Central Plains for more than 300 years. It has left remains in Huaxian County in the north of Henan Province, in Tongxu in Henan Province and in most counties and cities in the south of Henan Province. Zhumadian Runan County is a small local folk drama, and then into the local Luoxian stage performance, and called the "Luo Scroll Opera." Tracing back to the history of Luojuan Opera, it can be seen in Li Luyuan's novel Qilu Lantern in the Qianlong period of Qing Dynasty. This theory proves that the period of Luo Opera and Scroll Opera should be late Ming and early Qing Dynasty. Among the numerous breeding sites of Luojuan Opera, Runan and Dengzhou have been successfully selected as provincial "non-posthumous" because of their orthodox singing style and good development trend. However, with the development of history, the performing form of Luojuan Opera has been unable to adapt to the process of modern society, so it has been included in the ranks of "Henan Endangered Drama". And Luojuan drama has been neglected for a long time in academic circles, with less attention and shallow coverage, so it has more research value and mining potential. This paper is divided into four chapters. The first chapter, Luo opera, and the second chapter, the volume play, will be explained from the historical origin, the music form and the performance form. The third chapter uses the knowledge of cultural anthropology to analyze the cultural causes of Luo Hu's "confluence" and the music form after "confluence". The fourth chapter introduces the survival and development of Luojuan opera in Deng Zhou and Runan as well as its inheritance and protection measures. Since 2008, the author has made three trips to Dunzhou and Runan for on-the-spot investigation. He has visited the veteran artists and researchers of the Culture Bureau of the two places, and has learned about the historical development of Luo Hu Opera and obtained first-hand information. On the basis of field investigation and study of materials, the author has defined the concepts of Luo Opera, Scroll Opera, Luo Scroll Opera, the origin of Luo Opera and Scroll Opera, the cultural form of Luo Hu's "confluence", the analysis of musical form and the Luojuan opera in Runan. The generality and characteristics of Dengzhou's inheritance are discussed and explained. Combined with cultural anthropology, folklore, sociology and other related disciplines to enhance the knowledge structure of the paper, enrich the theoretical research results.
【学位授予单位】：西安音乐学院
【学位级别】：硕士
【学位授予年份】：2010
【分类号】：J825

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