越调唱腔音乐艺术研究
发布时间:2018-06-12 21:10
本文选题:河南越调 + 唱腔音乐 ; 参考:《江西师范大学》2011年硕士论文
【摘要】:河南越调是一个古老的地方戏曲剧种,新中国成立后发展为河南第三大戏曲剧种,流布于河南大部地区,及周边一些省市。越调在兴旺和衰落的交替中发展到现在。20世纪80年代后期,社会进入了现代化阶段,随着电视传媒、歌曲、舞蹈、小品等各种艺术形式的出现,戏曲受到了致命的冲击,全国戏曲形势由高峰跌入低谷。以往那种单一的、全民只看戏的盛况不再出现。对于河南越调更是雪上加霜,不再有“满城锣鼓万人迷,村村都有越调戏”的场面。越调举步维艰,每况愈下,越调剧团资金缺乏,新剧目产生困难,艺术人才青黄不接,传承人老龄化和贫困化,观众层的老龄化,从艺人员的流失。越调陷入了濒临消亡的危机。所幸2006年5月20日,经国务院批准,河南越调被列入第一批国家级非物质文化遗产名录。2008年2月18日,著名越调表演艺术家何全志,被列为国家级非物质文化遗产越调代表性传承人。但是,一个剧种要健康发展就必须解决以上问题。 本论文对河南越调唱腔的渊源、音乐体制、声腔属性、唱腔音乐与唱法特点,以及越调所具有的美学价值和河南越调未来的发展道路进行了深刻的分析论证。 第一章河南越调的生态环境概述。在本章,笔者就关于越调剧种的文献资料进行总结,对此剧种的渊源提出自己合理的思考。对越调所流布的区域进行总结;另外介绍具有“戏曲之乡”之称的河南所有主要的音乐艺术类型及越调艺术的地位。 第二章河南越调艺术发展概述。在本章,本人对越调艺术的发展历史进行三个阶段性划分(形成期、发展期特征、现状),得出产生越调现存问题的种种原因。 第三章是对河南越调唱腔音乐的探析,对河南越调的板式进行分析,得出越调板式在表现功能方面是健全的;通过分析各行当的发声方法、润腔技巧等方面的特征,笔者就越调的发展提出自己的见意。 第四章河南越调的美学价值。本章从几个方面来阐述,首先对唱词进行分析,河南越调具有其风格与特色,再从越调的曲调上分析,越调为什么能在河南这块热土上繁衍生息并发展壮大。 第五章越调的社会影响及传承。在本章,本人从社会影响和传承两个方面进行阐述,并提出自己的看法。
[Abstract]:Henan Yue Diao is an ancient local opera drama. After the founding of New China, it has developed into the third largest opera drama in Henan Province, spread in most areas of Henan Province, and some provinces and cities around it. In the turn of prosperity and decline, the society entered the stage of modernization in the late 1980s. With the emergence of television media, songs, dances, sketches, and other artistic forms, opera received a fatal impact. The national opera situation fell from peak to trough. In the past, the kind of single, the whole people only watching the drama no longer appeared. For Henan more and more worse, no longer have the "pan-city gongs and drums, villages and villages are more flirtatious" scene. The more difficult it is, the worse it is, the lack of funds for the troupe, the difficulty of new plays, the lack of artistic talent, the aging and poverty of the inheritors, the aging of the audience, and the loss of art personnel. More and more people are in danger of dying out. Fortunately, on May 20, 2006, with the approval of the State Council, Henan Yue Diao was included in the first batch of national intangible cultural heritage lists. On February 18, 2008, he Quanzhi, a famous Yue Diao performing artist, Is listed as the state-level intangible cultural heritage more representative inheritors. However, a drama to develop healthily must solve the above problem. This paper makes a profound analysis and demonstration of the origin, the music system, the acoustic properties, the characteristics of the singing music and the singing method, the aesthetic value and the future development path of the Henan Yue Diao. The first chapter is an overview of the ecological environment in Henan Province. In this chapter, the author summarizes the literature about the drama, and puts forward his own reasonable thinking about the origin of the drama. In addition, it introduces all the main types of music art and the status of Yue tune art in Henan Province. The second chapter is an overview of the development of Henan Yue Diao Art. In this chapter, I divide the development history of Yuediao art into three stages (forming period, development characteristics, current situation, and get the reasons for the existing problems. The third chapter is the analysis of Henan Yue tune singing music, the analysis of Henan Yue tune board style, it is concluded that the performance function of the Yue tune board style is sound, through the analysis of various vocalization methods, moisturizing skills and other aspects of the characteristics, The author puts forward his own views on the development of more and more tune. The fourth chapter is the aesthetic value of Henan Yue-Diao. This chapter elaborates from several aspects, first carries on the analysis to the singing word, Henan Yue Diao has its style and the characteristic, then from the more tune analysis, why the more tune can multiply and live in this hot land of Henan and develops. The fifth chapter is about the social influence and inheritance. In this chapter, I elaborate from two aspects of social influence and inheritance, and put forward my own views.
【学位授予单位】:江西师范大学
【学位级别】:硕士
【学位授予年份】:2011
【分类号】:J825
【参考文献】
相关期刊论文 前7条
1 王炳灿;;张秀卿与申凤梅的戏缘[J];东方艺术;2009年S2期
2 郭汉城;河南越调《吵闹亲家》表演程式的创作[J];中国戏剧;1992年01期
3 赵华;;河南越调的发展现状与保护对策研究[J];中国戏剧;2009年06期
4 黄政领;;越调《老子》音乐创作断想[J];中国戏剧;2009年09期
5 崔思蕖;戏曲唱腔的声乐学研究[J];戏剧文学;2005年07期
6 吴彬;;越调《七擒孟获》的风格特征——兼论河南越调的发展趋向[J];阅江学刊;2009年04期
7 魏天葆;铜器调是越调剧种的另一支声腔[J];中国音乐;1992年04期
,本文编号:2011100
本文链接:https://www.wllwen.com/wenyilunwen/xijuwudaolunwen/2011100.html

