论歌剧《原野》中焦母的角色塑造与演唱分析

发布时间：2018-06-12 22:29

本文选题：歌剧《原野》 + 焦母　；参考：《吉林大学》2010年硕士论文

【摘要】： 歌剧《原野》被称为“中国歌剧史上第一部伟大的爱情悲剧”,也是第一部走出国门并立足于西方歌剧舞台的中国歌剧。歌剧《原野》是非常难演译的一部作品,不管是从它的文学性,人物的角色塑造和演唱上,都对歌剧演员具有一定的挑战性。本论文对焦母的角色塑造和演唱分析进行探讨,作为剧中主要角色之一,焦母人物的性格特点和心理特征具有矛盾性和复杂性,在剧中又处于很特殊的位置,唱段也具有一定的技术难度,角色塑造是表现,演唱是技巧,表现与技巧的统一是音乐表演的一项重要美学原则,是使音乐表演达到至善至美境界的保证。笔者运用相关理论,对焦母的角色塑造和唱段,做出详尽的分析,并结合自己出演角色的实践经验,提出自己的感悟和认识。笔者就目前查阅的学术专著和学术论文来看,虽然有研究剧中两位女性角色的论文,但对于单独研究焦母的角色塑造与演唱分析方面,还未有深入研究的论文。
[Abstract]:Opera "field" is called "the first great love tragedy in the history of Chinese opera", and it is also the first Chinese opera to go abroad and base itself on the stage of western opera. Opera "field" is a work which is very difficult to be translated. It is challenging for opera actors in terms of its literariness, character shaping and singing. As one of the main characters in the play, the character and psychological characteristics of the characters are contradictory and complex, and they are in a very special position in the play. There are also some technical difficulties in choreography, in which role shaping is performance, singing is skill, the unity of performance and skill is an important aesthetic principle of music performance, and it is the guarantee to make music performance reach the state of perfection and beauty. Based on the relevant theories, the author makes a detailed analysis of Jiao Mother's role shaping and singing, and puts forward his own perception and understanding combined with his own practical experience. As far as the academic monographs and academic papers are concerned, although there are papers to study the two female characters in the play, there is no in-depth research on the role shaping and singing analysis of Jiao Mother alone.
【学位授予单位】：吉林大学
【学位级别】：硕士
【学位授予年份】：2010
【分类号】：J822

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