对国内戏剧舞台上洋剧乱象的思考

发布时间：2018-06-21 10:21

  本文选题：西洋戏剧 + 国内戏剧舞台　； 参考：《戏剧之家》2016年23期

【摘要】：国内戏剧市场上外国戏剧引进的多样性、层次性日渐明晰,外国戏剧的引进方找到了自己的艺术与市场定位,其初衷是让国内观众不出国门甚至不出城市就能领略到国外不同规模、风格、方向、方式的戏剧作品。但现在这种功能被无限放大,国内戏剧市场越来越成为国外戏剧制作发行和国内引进方的名利场,你方唱罢我登场,好不热闹,对西洋剧蜂拥来华演出应该保持深刻的认识和思考,本文就此现象产生的原因和危害进行了深刻剖析,并且根据乱象背后反映出的国产戏剧创作、推广中存在必须解决的问题提出了自己的建议。
[Abstract]:The diversity and hierarchy of foreign drama in the domestic drama market is becoming more and more clear. The introduction of foreign drama has found its own art and market orientation. Its original intention is to let the domestic audience not even out of the city to appreciate the different scale, style, direction and style of foreign dramatic works. But now this function has been infinitely magnified, and the domestic drama market is increasingly becoming a Vanity Fair for foreign theatrical production, distribution, and domestic introduction. We should keep a deep understanding and thinking about the western dramas flocking to China to perform. This paper makes a deep analysis of the causes and harm of this phenomenon, and according to the domestic drama creation reflected behind the chaos, Some problems that must be solved in popularization are put forward.
【作者单位】： 天津市艺术研究所;
【分类号】：J805
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本文编号：2048268