试论莫扎特和威尔第歌剧重唱中的音乐戏剧性
发布时间:2018-06-21 14:15
本文选题:歌剧重唱 + 戏剧性 ; 参考:《曲阜师范大学》2011年硕士论文
【摘要】:重唱,是指将两个或两个以上由单个人声发出的歌唱旋律按照多声思维的法则叠置起来并加以发展的一种声乐体裁。在歌剧这一领域中,歌剧重唱由于自身所具备的戏剧性和冲突性,在歌剧深层主题的呈现中起到了异乎寻常的重要作用。随着歌剧重唱不断的发展变化,歌剧重唱对于歌剧戏剧性的重要作用越来越受到歌剧作曲家以及广大音乐爱好者的重视。在数量众多的歌剧作品所组成的灿烂星河中,有两位歌剧作曲家的作品令我们赞叹不已。那就是莫扎特和威尔第的歌剧。他们创作的歌剧经久不衰,以莫扎特的歌剧《费加罗的婚礼》和威尔第的歌剧《弄臣》为例,这两部作品都以其优美的旋律和引人入胜的情节闻名于世。莫扎特对重唱在歌剧中的重要地位的认识源自《费加罗的婚礼》这部歌剧的成功。在这部歌剧中除了三个终场时规模宏大的重唱外还有另外九首重唱,这在莫扎特之前的音乐史上是不可想象的。如果说歌剧重唱在莫扎特的笔下得以重生并被人们注视,那么使歌剧重唱达到巅峰的就是威尔第了。《弄臣》中的歌剧重唱不仅吸收了莫扎特重唱创作的优秀传统,并且充分展示了自己独特的风格,保持了意大利歌剧的本色。在这里音乐与戏剧惊人的和谐,歌剧的戏剧性得到了充分的展现。 这两部歌剧至今仍在世界各地的各大歌剧院频频上演,观众对它们的痴迷程度可见一斑。这其中,歌剧重唱在表现歌剧戏剧性方面功不可没。本文将以《费加罗的婚礼》中第二场第十三分曲《小心点》和《弄臣》中第三场中的一首四重唱《自从我那天见到你》为例,通过对这两首作品的具体分析来梳理自莫扎特至威尔第时期歌剧重唱中音乐戏剧性的发展情况。以求使我们对歌剧重唱的重要性有一个更为全面和深入的了解,同时希望能够为广大音乐爱好者在欣赏或演唱这两位作曲家的歌剧作品时提供参照。 文章分为五个部分 引言解释本论文的选题意义以及研究重点和研究方法 第一章简要介绍歌剧重唱的发展轨迹和重唱的分类 第二章简明的介绍歌剧作曲家莫扎特及威尔第的生平 第三章具体分析《费加罗的婚礼》中的三重唱《小心点》和《弄臣》中的四重唱《自从我那天见到你》 第四章总结自莫扎特至威尔第歌剧重唱中音乐戏剧性的发展变化
[Abstract]:Duet refers to a vocal genre that overlay and develop two or more singing melodies issued by a single voice according to the rules of multi-tone thinking. In the field of opera, opera duet plays an unusually important role in the presentation of the deep theme of opera because of its own drama and conflict. With the continuous development and change of opera choir, the importance of opera duet to opera drama has been paid more and more attention by opera composers and music lovers. Among the splendid stars of the numerous operas, we are amazed by the works of two opera composers. That's Mozart and Verdi's operas. For example, Mozart's opera, the Wedding of Figaro, and Verdi's opera, Jeti, are both famous for their beautiful melody and fascinating plot. Mozart's understanding of the importance of duet in opera stems from the success of Figaro's wedding. In addition to the three grand finale recitals, nine others were unthinkable in Mozart's music history. If the opera chorus was reborn and watched by Mozart, it was Verdi who brought it to its peak. The opera chorus in the Jetsons not only absorbed the fine tradition of Mozart's composition, And full display of their own unique style, the Italian opera to maintain the true character. Here music and drama are amazingly harmonious, opera drama has been fully displayed. The two operas are still being performed in major opera houses around the world, and the audience's obsession with them is evident. Among them, opera duet plays an important role in opera drama. This article will take for example Figaro's Wedding, the 13th Division in scene 2, careful, and one of the quartets in the third scene of Jester, "since I saw you that day." Through the concrete analysis of these two works, this paper combs the dramatic development of music from Mozart to Verdi. In order to make us have a more comprehensive and in-depth understanding of the importance of opera recital, we hope to provide a reference for the majority of music lovers to appreciate or sing the opera works of these two composers. This paper is divided into five parts to explain the significance of the topic, research focus and research methods. The first chapter briefly introduces the development track of opera duet and its classification Chapter two A brief introduction to the Life of Opera composer Mozart and Verdi Chapter three analyses the Trio in Figaro's Wedding < careful Point > and the Trio in 'Rijette' s <) > "since I saw you that day." Chapter 4 summarizes the dramatic developments in music from Mozart to Verdi opera recital
【学位授予单位】:曲阜师范大学
【学位级别】:硕士
【学位授予年份】:2011
【分类号】:J832
【引证文献】
相关硕士学位论文 前1条
1 刘思佳;歌剧《阿依达》中两位“公主”的音乐形象塑造[D];哈尔滨师范大学;2012年
,本文编号:2048978
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