试论歌剧《运河谣》中水红莲的咏叹调《来生来世把你爱》的演唱处理手法
发布时间:2018-06-28 10:10
本文选题:《来生来世把你爱》 + 《运河谣》 ; 参考:《西安音乐学院》2017年硕士论文
【摘要】:歌剧《运河谣》是中国首部原创民族歌剧,由黄维若、董妮编剧,印青作曲。歌剧讲述了明朝万历年间,在京杭大运河上俊俏艺人水红莲、文弱书生秦啸生和惨苦盲女关砚砚之间发生一段荡气回肠、如歌如泣的故事,无论是背景题材、旋律进行、角色塑造、舞台布置还是唱腔风格等都具有十分典型的民族性,对我国民族歌剧的发展及民族唱法的发扬光大都具有十分重大的意义。女主人公水红莲是一个俊俏泼辣、敢爱敢恨、不畏强暴、为正义不惜牺牲自己性命的满满正能量的角色形象。本文通过对歌剧创作的背景、初衷、对女主角人物性格、形象及所影射的当时社会现状的分析着手,从而为研究歌剧唱段《来生来世把你爱》服务,重点是结合自身实际演唱经验对此咏叹调的处理手法(咬字、唱腔、层次对比、强弱对比、语气、润腔技巧及情感表达等)的探究。
[Abstract]:The opera "canal ballad" is the first original national opera in China. The opera is composed of Huang Weiruo, Dong Ni, and the composer. The opera tells the story of the Ming Dynasty in the Wanli period of the Ming Dynasty, in the Grande Canale, the handsome artist Shui Honglian, the weak scholar Qin Xiaosheng and the bitter blind girl Guan Yan Yan. The role molding, the stage arrangement or the style of singing have a very typical national character. It is of great significance to the development of national opera and the development of national singing. The heroine is a handsome and pungent, dare to love and hate, do not fear violence and sacrifice his own life for justice. Through the analysis of the background of the creation of the opera, the original intention, the analysis of the character of the heroine, the image and the status quo of the society at that time, the purpose of the study is to serve you for the study of the coming life of the opera, with the emphasis on the handling of the aria, the singing, the level contrast, and the strength and weakness. Compare, tone, cavity skills and emotional expression, etc.
【学位授予单位】:西安音乐学院
【学位级别】:硕士
【学位授予年份】:2017
【分类号】:J617.2
【参考文献】
相关期刊论文 前1条
1 杨彦菊;;浅谈声乐演唱中美声唱法与民族唱法的融会贯通[J];民族音乐;2014年01期
,本文编号:2077638
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