清唱剧《弥赛亚》中女高音咏叹调艺术特性与演唱

发布时间：2018-07-06 10:41

本文选题：《弥赛亚》 + 宗教特性　；参考：《天津师范大学》2017年硕士论文

【摘要】：巴洛克时期是西方音乐发展史上的一个重要时期,亨德尔是巴洛克晚期的一位重要德国作曲家,他创作了多部歌剧和清唱剧,其中《弥赛亚》是亨德尔最具代表性也是最出名的一部作品,被称为西方清唱剧的丰碑。本文以《弥赛亚》中的五首女高音咏叹调作为研究对象,共分为四个章节。第一章对《弥赛亚》的产生背景以及内容做出了详细阐述;在宏观上简要了解孕育《弥赛亚》的土壤,即当时的时代背景,包括政治,经济,文化对亨德尔创作《弥赛亚》所产生的影响;第二章包括了对五首女高音咏叹调的唱词含义以及其宗教特性的探究,阐明了自己的见解和思考。第三章主要围绕与世俗作品的区别以及作品所体现的人文情怀做分析和探究。第四章落实到实际演唱上做整体及局部的解读,包括整体风格上,以及具体的演唱技术要求。
[Abstract]:The Baroque period was an important period in the history of western music development. Handel was an important German composer in the late Baroque period. He wrote many operas and oratoriums. Messiah is one of the most representative and famous works of Handel, which is called the monument of western oratorio. This paper studies five soprano arias in Messiah, which is divided into four chapters. The first chapter expounds the background and content of Messiah in detail, and gives a brief understanding of the soil that gave birth to Messiah from a macro perspective, that is, the background of the times, including politics and economy. The second chapter discusses the meaning of five soprano arias and their religious characteristics, and expounds their own opinions and thoughts. The third chapter mainly focuses on the difference between the works and secular works and the humanistic feelings embodied in the works. Chapter four explains the whole and part of the singing, including the overall style, and the specific technical requirements.
【学位授予单位】：天津师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J617.2

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