中国少数民族戏班研究的政治学考量

发布时间：2018-07-10 00:01

  本文选题：地方戏 + 戏班　； 参考：《湖北民族学院学报(哲学社会科学版)》2017年06期

【摘要】：民族戏班是一个政治性较强的社会组织。以往研究主要集中于戏剧学、人类学等领域,视角较单一。基于政治学的新考量,更可发现它与汉族戏班的诸多差异性:首先,明清帝国时期的边疆带,为其生成发展设置了独特的自然空间、制度空间和历史时段;其次,南传儒学"内卷化"与少数民族坚守民族文化的两种进程,同构了民族戏班生成发展的政治文化总背景;再次,戏师权威地位的建构、民族戏班的权力分配与运行机制等,营建了别具一格的权力结构和政治体系;最后,在重构本土"社会资本"、开展"高台教化"、完善地方"自治"以及实现政治整合等方面功能显著。
[Abstract]:The national opera troupe is a social organization with a strong political nature. Previous studies focused on drama, anthropology and other fields, with a single perspective. Based on the new considerations of political science, it can be found that there are many differences between it and the Han opera troupe: first, the border zone of the Ming and Qing Empire period has set up a unique natural space, institutional space and historical period for its formation and development; secondly, The "internalization" of Southern Zhuan Confucianism and the ethnic minorities' adherence to the two processes of national culture are the same as the general political and cultural background of the formation and development of ethnic drama troupes; thirdly, the construction of the authoritative position of the opera masters, the distribution and operation mechanism of the power of the national opera troupes, etc. Finally, it has a remarkable function in reconstructing local "social capital", carrying out "high Taiwan education", perfecting local "autonomy" and realizing political integration.
【作者单位】： 广西民族大学政治与公共管理学院;
【基金】：广西高校人文社科重点研究基地广西民族大学中国南方与东南亚民族研究中心资助“广西三江侗戏师的历史沿革与生存现状”(项目编号:2016ZXS010) 2017年广西研究生教育创新计划项目“湘黔桂边区侗族戏班组织及其政治功能研究”(项目编号:YCSW2017125) 广西民族文化保护与传承研究中心研究生创新项目“湘黔桂交界处侗戏的公共资源化及认同建构研究”(项目编号:2017CXYB08)
【分类号】：J892.4
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本文编号：2111226