山东地方剧种高密茂腔的保护与发展研究

发布时间：2018-07-10 01:27

本文选题：高密茂腔 + 地方剧种　；参考：《吉林大学》2015年硕士论文

【摘要】：高密茂腔是山东的地方小戏，至今已有二百多年的历史，属山东地方戏四大系统中的肘鼓系。它之所以被称为“拴老婆撅子戏”，是因为它的唱腔独特，在当地妇孺皆知，深入人心，深受妇女们的喜爱。在胶东半岛久负盛名，主要流传在胶东半岛的不同地域，如高密、诸城、青岛、胶州、胶南、日照、五莲、临沂等地区，有“胶东之花”的美誉。茂腔在声腔的发展中经历了本肘鼓、冒肘鼓、茂腔三个阶段。其声腔源头是肘鼓子声腔系统，根据史料记载，肘鼓子腔是在“姑娘腔”的腔调基础上经过逐渐演变而形成的。高密做为茂腔的发源地，早在二百年前就出现了本肘鼓这一地方戏曲剧种，并在高密本土民间广为流传。高密茂腔是高密人的精神食粮，，也是高密文化的重要组成部分。2006年，高密茂腔被列入了国家非物质文化遗产名录。在高密茂腔的传承过程中，分为南北传承体系：高密北乡指安家庄、北斜沟、南斜沟、河崖一带，慢慢发展成现如今的高密茂腔剧团；高密南乡指拒城河辛庄、刘家屯、井沟一带，后来发展成五莲茂腔剧团、诸城茂腔剧团等。写作本文章主要采用田野考察法，去高密茂腔剧团做调研，把高密茂腔做为研究对象，通过对茂腔老艺术家的走访、学习和交流，运用收集到的第一手资料，综合运用文献分析、实例分析、推理分析、归纳总结等方法，力求客观的反映出茂腔在高密地区的源流、音乐本体、发展现状及传承保护等方面的问题，对高密茂腔的保护提出建议和具体措施。全文共分五章。第一章为绪论，讲述了本文的选题意义、研究现状、研究思路和方法；第二章为高密茂腔的起源与演变，讲到了高密茂腔的声腔起源于肘鼓子，高密茂腔发展过程中的三个阶段以及高密茂腔的地域文化特征；第三章为高密茂腔的艺术特征，主要是对高密茂腔的本体的音乐特征进行了详细的介绍，如高密茂腔的语言及演唱特点、唱腔类型与句式特点、音阶调式与十三辙、基本唱腔板式与曲牌、伴奏与乐队、行当与剧目；第四章高密茂腔的生存现状调查，本章主要是通过本人去高密茂腔剧团进行实地的考察，对高密茂腔的生存现状做了分析及梳理，主要是从高密茂腔剧团的发展历程、演出剧目及获奖情况、创新发展中的高密茂腔以及高密茂腔艺人传承谱系这四个方面进行阐述；第五章为高密茂腔的保护与传承，本章主要讲的是通过实地的考察以及对高密茂腔现状的分析，最后对高密茂腔未来的传承发展提出了一些可行的措施和建议，并且展望高密茂腔发展的未来。
[Abstract]:Gaomi Maoxue is a small local opera in Shandong Province, which has a history of more than 200 years and belongs to the elbow drum system in the four systems of Shandong local opera. The reason why it is called "tie wife and pouty play" is because of its unique singing, widely known in the local women and deeply popular, deeply loved by women. In Jiaodong Peninsula has long been famous, mainly spread in different areas of Jiaodong Peninsula, such as Gaomi, Zhucheng, Qingdao, Jiaozhou, Jiaonan, Rizhao, Wulian, Linyi and other areas, "Jiaodong flower" reputation. In the development of acoustic cavity, Mao cavity has experienced three stages: local elbow drum, cubital drum and Mao cavity. The origin of the chamber is the cubital drum system. According to the historical records, the cubital cavity is gradually evolved on the basis of the tune of the "girl's cavity". Gaomi as the birthplace of Maoxue, as early as 200 years ago, this local opera and drum, and in Gaomi local folk widely spread. Gaomi Mao-cai is not only the spiritual food of Gaomi people, but also an important part of Gaomi Culture. In 2006, Gaomi Maomao cavity was listed in the National Intangible Cultural Heritage list. In the process of inheriting Gaomi Maomao cavity, it is divided into a north-south inheritance system: Gomi North Township refers to Anjiazhuang, Beijiaogou, Nanjiaogou, River Cliff, and slowly develops into today's Gaomi Maomao Opera Troupe; Gaomi South Township refers to Shuicheng River Xinzhuang, Liu Jiatun, Jinggou area, later developed into Wulian Maolao Opera Troupe, Zhucheng Maolao Opera Troupe and so on. This article mainly adopts the field investigation method, goes to the Gaomi Maomao Opera Company to do the research, regards Gao Miao cavity as the research object, through the visit, the study and the exchange to the Mao cavity old artist, uses the collected first-hand information. By synthesizing the methods of literature analysis, case analysis, reasoning analysis, induction and summary, and so on, we strive to objectively reflect the source and stream of Maoxiang in the Gaomi area, the music Noumenon, the status quo of development and the protection of heritage, and so on. Suggestions and concrete measures are put forward for the protection of Gaomi Maomao cavity. The full text is divided into five chapters. The first chapter is the introduction, which describes the significance of the topic, research status, research ideas and methods, the second chapter is about the origin and evolution of Gaomimao cavity, the origin of Gaomimao cavity comes from the elbow drum, the second chapter is about the origin and evolution of Gaomimao cavity, the second chapter is about the origin and evolution of Gaomimao cavity. The third chapter is the artistic characteristics of Gaomi Maomao cavity, which mainly introduces the music features of Gaomi Maomao cavity in detail, and the regional culture of Gaomi Maomao cavity in the three stages of the development of Gaomi Maomao cavity, the third chapter is the art characteristics of Gaomi Maomao cavity, which mainly introduces the music characteristics of Gaomimao cavity. Such as the language and singing characteristics of Gaomi Maomao, the type of singing and the characteristics of sentence pattern, the pattern of scale and 13, the basic style of singing and playing, the accompaniment and band, the practice and the repertoire. Chapter four, the investigation of the living situation of Gaomimao, This chapter is mainly through myself to the Gaomi Maomao Opera Troupe for a field investigation, to the survival of Gaomi Maomao cavity to do an analysis and combing, mainly from the development of Gaomi Maomao Opera Troupe, performance repertoire and award-winning situation. This chapter is about the protection and inheritance of Gaomi Maomao cavity, which is mainly about the field investigation and the analysis of the current situation of Gaomi Maomao cavity. Finally, some feasible measures and suggestions are put forward for the future development of Gaomi Maomao cavity, and the future development of Gaomi Maomao cavity is prospected.
【学位授予单位】：吉林大学
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：J825

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