音乐剧《Leitmotiv》中的电子音乐手段探析

发布时间：2018-07-17 00:00

【摘要】： 《音乐剧Leitmotiv中的电子音乐手段探析》一文,旨在通过对加拿大作曲家Michel D.Robidoux所创作的多媒体音乐剧《Leitmotiv》中的典型电子音乐手段进行归类和分析研究,展现音乐剧音乐与其他新兴音乐门类间的交汇,并得以在音乐语言、表现手段上获得创新和发展。文章首先通过“‘电声’走入音乐剧”为历史脉络,探讨了音乐剧与电子音乐的“历史机缘”,然后对一些历史上对音乐剧音乐创作和表现形式影响深远的重要电声手段分三个方面：“电子音频处理技术的应用”、“特殊音色和音响的使用”、“编曲制作手段(合成器)的应用”进行阐释。在文章的主体“《Leitmotiv》中的电子音乐手段”里,笔者从音乐语言本身出发,将20世纪的电子音乐创作潮流给音乐剧音乐创作所带来的影响和观念更新归结为：“电子音色运用”、“‘具体’手法的使用”、“音响空间的营造”三个方面。并在相关分析研究中顾及此剧的重要音乐结构概念“主导动机”。并以此为线索试图从对单一案例的研究中以小见大,一窥音乐剧这一表现形式灵活,体裁不拘一格的舞台音乐艺术形式在音乐语言创新和创作理念融合等方面的巨大潜力。
[Abstract]:"An analysis of musical instruments in the musical Leitmotiv", which aims to classify and analyze the typical electronic musical instruments in the multimedia musical created by the Canadian composer Michel D.Robidoux, to show the convergence between musical music and other emerging music categories, and to be able to perform in the musical language. Innovation and development are achieved by means.
The article first introduces the "historical chance" of musical play to electronic music through "electroacoustic" into the musical drama, and then divides into three aspects: "the application of electronic audio processing technology", "special tone and sound". The use of sound and the application of composing devices (synthesizers) are explained.
In the subject of "electronic music in ", the author, starting from the music language itself, summed up the influence and renewal of the musical creation of musical creation in twentieth Century as "the use of electronic tone color", "the use of" concrete "hand method", "the construction of sound space" three parties. And in the related analysis and Research on the important musical structure concept "dominant motivation" in the play, and taking this as a clue to try to make a small view of the single case study, a glimpse of the musical form, the form of the stage music art in the music language innovation and the fusion of creative ideas. Great potential.
【学位授予单位】：上海音乐学院
【学位级别】：硕士
【学位授予年份】：2010
【分类号】：J832

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