粤乐“八大曲”初析:戏曲清唱、珠江河调、广东汉剧

发布时间：2018-07-17 05:50

【摘要】："八大曲"是指八首古腔粤曲曲目。这一系列清唱粤曲,约在清代同治年间,流行于广州菊部曲坛。上世纪五十年代,香港粤乐名宿潘贤达提倡复兴"八大曲",1954年发表《粤曲论》讨论"八大曲"美学,同时区分粤乐曲艺的四种演唱风格,分别是:戏班、八音、"玩家"(意即业余乐师)和河调。本文特别强调,"玩家粤乐"是实践"八大曲"的表述载体,"八大曲"美学特点呈现于"玩家粤乐"之中,二者紧密契合,不能分割。另外,"八大曲"本身虽非场上演剧,但其唱本曲文,保留了同治光绪年间粤剧唱词形式。本文尝试从"戏曲清唱"、"珠江河调"和"广东汉剧"三个方面,论述"八大曲"在的历史地位。并通过比较"八大曲"和"外江戏"剧本唱段,窥探早期"粤剧"和"外江戏"的历史联系。
[Abstract]:"eight Grand songs" refers to eight pieces of ancient Cantonese tunes. This series of singing Yue songs, about the Qing Dynasty Tongzhi years, popular in Guangzhou Jubu qu altar. In the 1950s, Pan Xianda, a famous place for Cantonese music in Hong Kong, advocated the revival of the "eight great songs". In 1954, he published the "Yue Opera Theory" to discuss the aesthetics of the "eight great songs", and at the same time distinguished the four singing styles of Yue Yue qu arts, namely: opera troupes. Octave, player (meaning amateur musician) and river tune. This paper emphasizes that "Yue Yue" is the expression carrier of the practice of "eight songs", and the aesthetic characteristics of "eight great songs" appear in "Yue Yue", and the two are closely related and can not be separated. In addition, although the "eight songs" itself is not a stage play, but its singing text, preserved Tongzhi Guang Xu Cantonese opera lyrics form. This paper tries to expound the historical status of the eight great songs from three aspects of the opera, the tune of the Pearl River and the Guangdong Han Opera. By comparing the plays of "eight songs" and "Waijiang Opera", this paper explores the historical relationship between the early "Cantonese Opera" and "Waijiang Opera".
【作者单位】：新加坡国立大学;
【分类号】：J825

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