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山东肘鼓子声腔历史源流辨析

发布时间:2018-08-07 11:53
【摘要】:"肘鼓子"作为山东省的本土戏曲形式,体现了山东人民的创造精神和艺术才情。在当地无论是戏曲艺人还是老百姓,都约定俗成地称"五音戏""柳琴戏"等剧种为"肘鼓子戏"。同时也有不少文献明确提出并使用"肘鼓子声腔"一词。然就目前的学术成果来看,对"肘鼓子声腔"的整体性研究尚显匮乏,其历史发展轨迹尚不明确。笔者通过大量文献资料累读与田野工作调查,针对山东省境内的五音戏、柳琴戏、茂腔、柳腔等剧种在历史研究方面的成果进行归纳整理,力求从中梳理出"肘鼓子声腔"的历史发展脉络。
[Abstract]:As the local opera form of Shandong Province, Elbow Drum embodies the creative spirit and artistic talent of Shandong people. In the local opera artists or ordinary people, they are commonly known as "Wuyin drama," Liu Qin drama "and other operas called" elbow drum play. " At the same time, there are a lot of literature explicitly put forward and used the term "elbow drum vocal cavity". However, according to the present academic achievements, the research on the integrity of "elbow drum vocal cavity" is still lacking, and its historical development track is not clear. Through a large amount of literature and field work investigation, the author summarized and sorted out the historical research achievements of Wuyin Opera, Liu Qin Opera, Maoxiang Opera, Liu cavity Opera and so on in Shandong Province. Strive to sort out the "elbow drum voice" the historical development of the context.
【作者单位】: 中国音乐学院音乐学系;
【基金】:2014年国家社科基金艺术学重点项目“中国传统音乐声腔研究”(项目编号:14AD004)的阶段性成果
【分类号】:J617.5

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