威尔第歌剧《命运的力量》中莱奥诺拉的角色塑造
发布时间：2018-08-30 14:15
【摘要】： 威尔第是十九世纪意大利歌剧复兴时期最具代表性的作曲家,《命运的力量》是作曲家声乐作品的代表作之一,剧中角色的唱段属于难度比较高的曲目,笔者从演唱者的角度对此作品的主人公莱奥诺拉在剧情、音乐中的塑造以及剧中主要唱段的分析研究。本文拟从以下几个方面进行论述：第一部分是关于作曲家的简短介绍和歌剧《命运的力量》的创作过程。第二部分是从脚本和音乐多个层面来论述莱奥诺拉形象的塑造；第三部分是通过对莱奥诺拉的两个主要唱段的分析,从而更深刻且细致地把握该形象的塑造。
[Abstract]:Wildi was the most representative composer during the revival of the Italian opera in the 19th century. The Power of fate was one of the masterpieces of the composer's vocal music works. From the singer's point of view, the author analyzes the protagonist Leo Nora's plot, the creation of the music and the main choreography in the play. This paper discusses the following aspects: the first part is about the composer's brief introduction and the creation process of the opera "the Power of fate". The second part discusses Leo Nora's image from many aspects of script and music, and the third part analyzes the two main tracks of Leo Nora so as to grasp the image more deeply and meticulously.
【学位授予单位】：上海音乐学院
【学位级别】：硕士
【学位授予年份】：2010
【分类号】：J832
本文编号：2213318
[Abstract]:Wildi was the most representative composer during the revival of the Italian opera in the 19th century. The Power of fate was one of the masterpieces of the composer's vocal music works. From the singer's point of view, the author analyzes the protagonist Leo Nora's plot, the creation of the music and the main choreography in the play. This paper discusses the following aspects: the first part is about the composer's brief introduction and the creation process of the opera "the Power of fate". The second part discusses Leo Nora's image from many aspects of script and music, and the third part analyzes the two main tracks of Leo Nora so as to grasp the image more deeply and meticulously.
【学位授予单位】：上海音乐学院
【学位级别】：硕士
【学位授予年份】：2010
【分类号】：J832
【引证文献】
相关硕士学位论文 前2条
1 张剑;威尔第歌剧《西蒙·博卡涅格拉》两个男中音角色音乐形象与演唱研究[D];南京艺术学院;2011年
2 陈亚丽;对中外声乐作品演唱的理解和体会[D];上海音乐学院;2011年
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