从创作实践中体认中韩舞台设计
发布时间:2018-08-31 08:55
【摘要】: 本文通过本人在中韩两国所进行的舞台美术创作实践中,对中韩两国不同的舞美设计风格的体会与研究,旨在说明在舞台空间的创作中,创造力的重要性。论文分为引言、正文与结语三部分。 引言主要介绍西方出现舞台美术的情况及同时代中国和韩国的舞台美术特征。 正文将主要分为两个部分来进行论述。 第一部分是对中韩舞台美术的思考,其中包括对中韩两国舞台美术发展史进行介绍及简略的分析,从中简要分析总结出舞美创作功能变化的规律——从剧情发生的空间到表现思想的一部分。以及比较现代中国和韩国舞台美术的特征、创造力的概念。第二部分是从我自己在中韩两国曾经做过的一些作品来对空间的认识进行论述。结语是对当今舞台美术设计的发展趋势与功能和角色的变化的总结。
[Abstract]:Through my experience and research on the different dance design styles between China and Korea, this paper aims to explain the importance of creativity in the creation of stage space. The paper is divided into three parts: introduction, text and conclusion. The introduction mainly introduces the appearance of stage art in the West and the characteristics of stage art in contemporary China and Korea. The text will be divided into two parts to discuss. The first part is the reflection on the stage art between China and Korea, including the introduction and brief analysis of the development history of the stage art between China and Korea. This paper briefly analyzes and summarizes the changing law of dance creation function-from the space of the plot to the part of the expression thought. As well as modern Chinese and Korean stage art features, the concept of creativity. The second part is from my own works in China and South Korea to discuss the understanding of space. The conclusion is a summary of the development trend, function and role of stage art design.
【学位授予单位】:上海戏剧学院
【学位级别】:硕士
【学位授予年份】:2010
【分类号】:J813
本文编号:2214508
[Abstract]:Through my experience and research on the different dance design styles between China and Korea, this paper aims to explain the importance of creativity in the creation of stage space. The paper is divided into three parts: introduction, text and conclusion. The introduction mainly introduces the appearance of stage art in the West and the characteristics of stage art in contemporary China and Korea. The text will be divided into two parts to discuss. The first part is the reflection on the stage art between China and Korea, including the introduction and brief analysis of the development history of the stage art between China and Korea. This paper briefly analyzes and summarizes the changing law of dance creation function-from the space of the plot to the part of the expression thought. As well as modern Chinese and Korean stage art features, the concept of creativity. The second part is from my own works in China and South Korea to discuss the understanding of space. The conclusion is a summary of the development trend, function and role of stage art design.
【学位授予单位】:上海戏剧学院
【学位级别】:硕士
【学位授予年份】:2010
【分类号】:J813
【参考文献】
相关期刊论文 前8条
1 冯岩;;话剧舞台美术的历史嬗变[J];剧作家;2006年02期
2 胡妙胜;;舞台美术的意境[J];戏剧艺术;1978年03期
3 吴光耀;;二十世纪——戏剧观念的多样化[J];戏剧艺术;1986年03期
4 刘元声;;舞台美术系实验教学报告[J];戏剧艺术;1993年01期
5 肖丽河;;灯光设计教学的思维结构[J];戏剧艺术;1993年01期
6 刘杏林;;舞台设计中具象因素的变异[J];戏剧艺术;1993年03期
7 伊天夫;戏剧空间的构图——试论灯光、画面对舞台信息的传达[J];戏剧艺术;2003年06期
8 韩生;大戏剧观·原创意识·实践能力——关于舞台美术教学模式的探索与实践[J];戏剧艺术;2005年03期
,本文编号:2214508
本文链接:https://www.wllwen.com/wenyilunwen/xijuwudaolunwen/2214508.html